A Quote by Nidhhi Agerwal

If there's one thing Nawaz sir taught me, it's how to just relax. He's not your method actor who will ask not to be disturbed on set if there's a serious scene to shoot. He just comes and does his thing.
I had really good experience working with Ritesh Batra and Nawaz sir. It was a huge thing for me to work with Nawaz sir because he is my favorite actor.
One thing my old improv teacher taught me is when you're not in the improv scene and you're standing back watching your partners, you ask, 'What does the scene need?'
The visual stuff just lives inside of you. As far as really being able to take care of an actor on a set, how to talk to an actor, and how to get what you need out of a scene is probably where I might know a thing or two. Although, in TV, the actors are pretty much left alone. It's really the writer's medium more than anything.
Those who want to be serious photographers, you're really going to have to edit your work. You're going to have to understand what you're doing. You're going to have to not just shoot, shoot, shoot. To stop and look at your work is the most important thing you can do.
When I'm on the set, I take five minutes to find the best angle for a scene, and then we just shoot it and it looks exactly what you see on screen because I don't touch it afterwards. I never think about it, before being on the set. That's my thing. I love to be stuck.
Patrick is vey modest about using the Sir thing and I just inherited it by marriage, so more than anything it's just kind of a funny little thing that we call one another from time to time. He calls me 'His Ladyship', which is just hilarious.
The animators are fantastic though. They'll shoot their own reference material, and just go into the car park or something. And they might shoot a very funny scene, or sometimes a serious scene. But they're really just trying to work out the motion. Yet what we get treated to is hilarious video of someone running around a parking lot with a broomstick and a helmet!
I stand up, sure of one thing and one thing only. That my father will come and get me. He won't give me a lecture, he won't try to teach me a lesson. He won't ask a thousand questions or ask me to apologize. He'll just come and get me. "Just tell me where you are.
When you hear voices in your head that tell you to shoot the pope, do you do what they say? Same thing goes for customers and managers. They are the crazy voices in your head, and you need to set them right, not just blindly do what they ask for.
The Professor took the old practices and studied them, worked out their mechanical principles and then devised a graded scientific set of tricks, but is based on the elementary laws of mechanics, a study of the equilibrium of the human body, the ways in which it is disturbed, how to recover your own and take advantage of the shifting of the center of gravity of the other person. The first thing that is taught is how to fall down without being hurt, that alone is worth the price of admission and ought to be taught in all our gyms.
One thing about being a stand-up is it's a one-man show. You gotta do everything. You're the producer, writer, director, and the actor. You just gotta be out there and perform and give your all. It's such an honest form of art that it just taught me so much, and it kind of prepared me for manhood at an early age.
One thing that I don’t know if people have come to grips with yet is just how serious ISIS is, just how serious militant Islamists are about Sharia. There is no compromise. There is no halfway. There is no mutual cohabitation plan.
I think every character actor at some stage likes to carry a film. It can be extremely liberating to just come in for a scene or two and do your thing. But I find it frustrating if I'm just doing little bits here and there for too long.
You just put that sword away, sir, please," said the voice of Lance-Constable Vimes. "You will not shoot me, you young idiot. That would be murder," said the captain calmly. "Not where I'm aiming, sir.
As an actor, you always find your way. You have whatever preparation techniques you use, and you just go with the scene when you're on set. You can only plan so much when you're working, because things have to come naturally in the scene.
As an actor, I've been taught to just stay with your scene partner, and whatever they do, let it affect you, be spontaneous.
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