A Quote by Nidhhi Agerwal

I have done my BBM and a small course in fashion. Then I started out to be a model. — © Nidhhi Agerwal
I have done my BBM and a small course in fashion. Then I started out to be a model.
I love to work, and to make all kinds of work. But if I work on a fashion story then I work for somebody. If I work for me, for an art project, then I'm not that nervous. It doesn't matter when the photo is done. And if I work on a fashion shoot, then I have access to all these things that I can use later for my art - a still life here or there. I can do all of this while the model is changing.
I was going to the flea markets to buy furniture. It was getting done the way it was getting done - on a small scale and with a lot of soul and heart and risk. We did fashion like fashion was done before - spontaneously, with joy and freedom, and that's what created our identity.
My deep relations with fashion started in Paris in 1980s, when I was appointed head of The Fashion History course at French Esmod fashion school, the biggest and the best in those years in Paris.
With fashion, my mother was an icon, but she never lived it in the sense that she was never obsessed with fashion. When I was a young girl, my sister wasn't doing fashion, so I started fashion thinking, 'I'm going to do something that they haven't done yet.' That was my silly scheme at the time.
My plan was to model and pay the rent and then intern with designers and work on the other side of the industry however I could, but then it just got to be too much, especially with casting, fashion week, and also working for a fashion designer.
There is power in creating a small model, and then you can create an alliance of other small models.
I never feel with the fashion stuff that it's too fake. If I was a model and had a working part in Fashion Week, then I might feel like that, but I'm just a visitor. I really only walk in and watch the shows and think, 'Maybe I could wear that in a video.' I meet the designer, say hello, and then I go.
I'm kind of the model that everyone thought would always be the Guess, 'Sports Illustrated' girl. Then, when I started to do high fashion stuff... people were like, 'Oh, so we can have a girl with, like, thighs and a butt in a Tom Ford campaign. Cool.'
When I started out, I was more focussed on being creative and wanting to do certain things I hadn't done before. That's great if you're doing fashion as a hobby. But when you want to sell out stores, you need to be very sure of the balance between commerce and art.
My fashion has no time, no season. It doesn't go out of style. If someone decides that clothes can go out of fashion, then you are deciding a woman can go out of fashion.
I actually started modeling in Ethiopia, because that's where I grew up, and I started out by just doing little fashion shows for school, and I liked it so much that I started pursuing it.
I started off as a model maker, so the first part of my career was a model maker and then a motion control camera operator, so I shot a lot of miniatures.
I graduated from Academy of Fashion and Costume Design in Rome. At first, I thought I was going to be a costume designer for films, and then I ended up working in fashion - not as a designer, but mostly as a model.
The fact that fashion goes out of fashion and then comes back into fashion based solely on what a few people somewhere think they can sell, well to me, that’s insanity.
When I started skating, it was such a small community. You didn't aspire to be rich or famous or make a career out of it because that wasn't something anyone had done yet.
I kind of take Hilary as a role model because she started out at about the same age. She hadn't done much before starting her series, and I haven't either.
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