A Quote by Nidhhi Agerwal
Savyasachi' is an action romantic film and I'm getting to work with some very nice people. I play the role of a simple girl who's very innocent and independent.
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'Vetri Selvan' is the first film where I play a conventional romantic role, which I found very challenging.
My new movie, Fools Rush In, is a romantic comedy and the girl I play in that is very warm, very sweet.
As for me, it is interesting to play a role that is not human; it is nice to be all powerful without fancy action scenes. But, it is not funny to play God, even on film. You don't speak much and just smile beatifically.
I've had lots of people saying very nice things about the work. But I genuinely feel in the course of a writing career you're going to have people say very nice things and some not-so-nice things, and if at all possible you should try to ignore both.
It's very important that a film that intends to play tricks on the audience... has to play fair with the audience. For me, any time you're going to have a reveal in the film, it's essential that it have been shown to the audience as much as possible. What that means is that some people are going to figure it out very early on. Other people not til the end. Everybody watches the film differently.
With 'Gold,' it was a very simple girl, and in 'Kabir Singh,' it's more of a glam role. That's my aim: I want to experiment as much as I can. These two are very small areas of experimentation.
I did a film when I was about 30; it's a coming of age story called 'Gas Food Lodging,' and I'm so proud of that little independent film. I play this young English geologist, and he's such a simple, loving kind of guy. Doesn't talk too much. He's just a quiet guy, and he gets the girl.
People who have grown up in a world where this was not a concern and suddenly start hearing about climate change - it's very difficult. It's a very, very abstract concept. So we need to work on making it very educational and very, very clear, in very simple terms.
People tend to try to find something to talk about Zuma. My surname is very nice and simple. Very simple, so they like pronouncing it all the time. So what's the problem?
I recently finished a job, an HBO movie 'Getting On,' a very dark comedy. It comes from a British series of the same name. In this role I have no hair, no make up and no nails. I play a very small role; she is not over the top and sassy.
I think it's very important to get this stuff on film, not just the behind-the-scenes of the process, but also the interviews with the women. We're going to try to do some on-the-street filming, getting people's reactions to the work, and seeing if we can get some street harassment happening on film so people can see what we're talking about. It's important to have some type of documentation so people can see what happens when we create this artwork and why I'm creating it.
Marilyn Monroe was a very sweet girl, she was a very innocent girl.
People like to see certain actors do certain things, and people like to see me play that role. I also have no interest in playing a normal girl in a romantic comedy in some cutesy thing.
There was a golden era in film-making in Hollywood back in the 1970s, and although there is some great independent film-making in America, it's actually very hard to get independent films made in the United States. It's much more feasible from Europe.
It's a controlling thing on stage - you're directing the action, getting people to play their role. In real life, I take being kind and nice seriously, so the last thing I'd ever want to be is that weird, controlling, manipulative character.
And even Moonstruck - for some reason the audience were just in the mood for a very romantic film, because it's one of the few romantic comedies to be nominated for a Best Picture Oscar.
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