A Quote by Nidhhi Agerwal

I remember I would watch the same film thrice a day for an entire month. — © Nidhhi Agerwal
I remember I would watch the same film thrice a day for an entire month.
Insatiate archer! could not one suffice? Thy shaft flew thrice, and thrice my peace was slain; And thrice, ere thrice yon moon had filled her horn.
I remember that at the beginning of the month, the kind of menus my mom and father would prepare for us would have fish, chicken. But at the end of the month - because my father would be waiting for paycheck - the refrigerator would get empty. I remember that without a lot of food left, some of the best meals happened right there.
The hardest thing for a film actor, especially if you are in a lot of the film, is sustaining energy for the entire length of a production. It's quite tough. With acting, it's not the same as directing. Directors work the exact same hours; directing is incredibly exhausting. The only difference is that directors aren't required to have bursts of energy and focus. They're probably focused the entire day. Actors have this thing of "stop/start." That can be quite draining, actually.
I grew up in a house that adored Thalaivar. There would be major discussions at home whenever a film of his was due for release, and we would manage to watch the film on the first day.
I can predict with some sense of certainty how life will feel in a month. I can with the same logic remember with the same element of reality or truth what life was like a month ago. All perspectives on the past are entirely relative.
I would say that I probably remember football stuff... but it's not like you see it once and then it's just there. I go back and watch film, watch plays, and, in my brain, I probably only have room for so much.
When you talk about a daily soap, it means one would be seen 28 days a month, which requires 30 days of shooting. So an actor being seen on a show airing four days a week and being telecast thrice a day comes along with a baggage of the character.
I don't study films particularly. I plan to direct, but I'm not watching film - I watch the entire film to see how the story goes, but I don't say, 'Oh, so he does a slow pan here, or he pulls here, watch the crane shot, or look at the composition,' because it's got to be my eye.
If one must drink, then let one drink thrice a month, for more is bad. If one gets drunk twice a month, it is better; if one gets drunk once a month, that is better still; and if one doesn't drink at all, that is the best of all.
Imagine a film such as Inception with an entire cast of black people - do you think it would be successful? Would people watch it? But no one questions the fact that everyone's white. That's what we have to change.
I used to watch 'Cagney & Lacey' with my mum back in the day. I can't remember any of their storylines, but I remember really knowing these two friends like I would know real people.
In India, multiplex ticket prices are high; therefore people are a bit hesitant. The ticket price for a newcomer's film is the same as a Shah Rukh Khan or a Salman Khan film. Why would people pay, say Rs 400, for a newcomer's film when they can watch a Shah Rukh Khan film at the same price?
What a funny watch!’ she remarked. ‘It tells the day of the month, and doesn’t tell what o’clock it is!’ ‘Why should it?’ muttered the Hatter. ‘Does YOUR watch tell you what year it is?’ ‘Of course not,’ Alice replied very readily: ‘but that’s because it stays the same year for such a long time together.’ ‘Which is just the case with MINE,’ said the Hatter.
The idea of watching an entire film basically from one person's perspective - and not even really from their perspective, but [it's] probably the most intimately shot film that's in any of these categories. If you're not familiar with Son of Saul, basically it's a film about a Jewish guy who's in concentration camp, but he helps dispose of the bodies after they leave the gas chamber. So, you watch the entire movie looking at Saul's face and looking at his interactions with people.
If I was writing a song one night, I would leave the studio and come back the next day, and if I could remember the same melody on the same song, it was definitely something worth working more on. If I couldn't remember it, maybe there was a purpose about that.
The problem with me and TV shows is once I start watching them, I have to watch them all because I'm so impatient. I need the entire series to be on TV, and then I'll sit all day and watch the entire thing. So I did that with 'Homeland,' and I did that with 'Veep.'
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