A Quote by Niecy Nash
I was in a very fancy, high-end boutique where the sales associates stand around like mannequins. I walked in and the first thing they said was, "Ooh it smells like booty in here" because they knew me from Scream Queens.
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'Scream Queens' was so much fun, kind of like a big sorority. And 'American Horror Story' is very serious, like a really hip family of middle-aged women. The deaths were fun on 'Scream Queens'; the deaths on 'Horror Story' are very real and intense, and you have to be emotionally prepped for them.
Someone asked me about what's it like managing 2.2 million associates, and I said, 'When they're Wal-Mart associates, it's not all that hard because of the quality and the depth of our talent.' I'm really proud of the fact that 70% of the managers in the U.S. started as hourly associates with our company.
I'm not like Woody Allen like, "Oh my god what's going to happen? Ooh Ooh Oohhh." I'm just high-strung. So I do need to do a lot of stuff.
I like going to New York because I don't get recognised there - although, the first time I was there, I'd only been in the city an hour when the tallest guy came up to me on Fifth Avenue and said my name, gave me a high-five, and then just walked off.
I did a lot of screaming in 'The Originals,' and I hurt my voice so badly that I said, 'I can't scream if you want me to be able to work for, like, the next three days.' So, what I usually do is that I scream once in the season, and we'll just use that scream, all throughout, or extend it, or do whatever we need to do.
I was very shy as a kid but when I found out I could perform and have people's attention everything changed for me. My mom likes to joke that until I was eight or nine I only knew what my sneakers looked like because I constantly walked around with my head down. But all of a sudden the stage made sense and that's what brought me out of my shell and a monster was created.
You can't ask me to explain the lyrics because I won't do it...I always believed that I have something important to say and I said it. That's why I survived because I still believe I've got something to say. ... I don't like overdubs, never liked them. ... The music business doesn't interest me anymore...Don't the people you're around shape the music, is that what you're saying? Everything does. ... I'm not joking around when I've said occasionally, trying to learn how to play a D chord properly has been a very big thing for me.
At the time, I was reading this Miles Davis book, and he was talking about coming to New York right after he was in high school. It kind of made me feel like, "Yeah." I didn't want to go to college; I wanted to do stand-up. And I figured, "What's the point of doing stand-up around DC? I'm always going to be under-appreciated there because I started there." I felt like I was strong enough and unique enough that I should give it a big leash to shine. New York was the best thing that ever happened to me as a comedian.
I did know that I could do scream very well. When I was in high school, I got a very strange job one Halloween filming screams for a radio station. I would just go into a soundstage and scream and scream and scream, and everybody would put on ear plugs, so I had an inkling.
One thing Della Valle taught me is the power to say no if something isn't right. That mattered even over sales. Now it's rolling and finally, after having been PR, boutique director, operator, messenger, and everything else, I'm finally in the role I like the most - court jester. And that's what I was doing at Chanel before.
It's fashionable to use terms like 'sales funnels' to describe the sales process for many companies, and it is true that the funnel design is very appropriate for the digital world, but despite all the prose written on sales funnels and the like, my question is still the same - when do you close your sales, and how long does that take?
I walked out of the theater and started crying. My wife asked me, 'Why are you crying?' I said, 'Because I can't do that.' I didn't know how he did it. I've never seen anything like that. It's like this feat, this Rodin sculpture to me. It's like hearing an opera singer and the tears go down your face because it's not human what they're doing. It's like sounds of heaven.
The reason I could last for that long a period of being up was because the piece accidentally caught the excitement and adrenaline from, "Ooh this sounds different from usual... Ooh I like that..." That was the energy that kept me up.
I love high heels from the age of 10! Short skirts and then high heels. My classmates used to make fun of me. Like, 'Ooh, she's so skinny and she's wearing high heels.' But I just wore what I like, and I didn't care about people's opinions, the same as I don't care now.
I never felt like I had a surface image to rely on that people would like - I always felt like my music would not be very fancy music, my voice is not very fancy, there is nothing hiding me from the audience.
I was 14 when I started modeling. At the end of that first day my mum said, If you want to do this, you're on your own because I'm not traipsing around London ever again like that. It's a nightmare.
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