Every last cast is actually a first cast. The first cast and first chance to catch the next fish. The next time you anguish about whether to make that last cast, forget it - the anguish that is - and cast away. The next fish caught on a last cast will not be the first.
If you cast your supporting cast well, it should be seamless. You shouldn't even notice who's a big part and who's a small part. A good cast enriches everything.
I got so lucky on my 'Red Widow' cast. It was just the universe looking out for me that I got those actors. It's a big ensemble cast, a very international cast. I don't know how that happened.
Any time you cast an actor, you don't just cast that actor; you cast all their other performances as well.
Every drama requires a cast. The cast may be so huge, as in Leo Tolstoy's 'Anna Karenina,' that the author or editor provides a list of characters to keep them straight. Or it may be an intimate cast of two.
I want to cast correctly, and then I want them to live on screen. If I cast the wrong actor, I'm screwed. But, if I cast the right actor, it really works out. The casting process is so important.
I just finished 'Butter' for Weinstein, a comedy with this incredible cast - Hugh Jackman, Olivia Wilde, Alicia Silverstone - all-star cast and it was a fun set to be on. I've gotten really lucky to get all these down-to-earth cast members. 'Butter''s about butter carving in Iowa.
I just finished 'Butter' for Weinstein, a comedy with this incredible cast - Hugh Jackman, Olivia Wilde, Alicia Silverstone - all-star cast and it was a fun set to be on. I've gotten really lucky to get all these down-to-earth cast members. 'Butter' is about butter carving in Iowa.
My absolute favorite thing about working on 'Liv and Maddie' is my cast and crew. The people that I spend almost every hour of every day with. Your cast has great influence over the quality of your life, and I've been blessed with not just a cast, but a family.
With a stage play, they can't cut a word; you can be in rehearsals every day, you cast it, you cast the director, too; the amount of control for a playwright is almost infinite, so you have that control over the finished product.
99 percent of the time when you cast right, it's a dream. If you cast wrong, it's a nightmare.
I could never get cast with an Indian accent. I was not getting cast.
You can't take on the qualities of a character that you'd never be cast in - and no one would ever cast you in.
I was in the original cast of 'Sunset Boulevard.' I played Betty. But I wasn't on the cast album.
It's the most amazing cast, a dream cast. We laugh all the time.
The stars of yesteryears are the grandmothers of today, so why would they cast a Suhasini Mulay, when they can cast a Hema Malini?