A Quote by Nigel Barker

I got a camera when I was nine years old and it wasn't until I was a model that I realized you could be a photographer for a job. — © Nigel Barker
I got a camera when I was nine years old and it wasn't until I was a model that I realized you could be a photographer for a job.
I think I was about nine years old when I got my first job.
... the possibility of one particular photographer's pictures lying around the corner is never realized until the photographer is there. It's one of the enigmas of photography.
Although I could read before I went to school, and I won the school reading prize at five years old, my early children's stories came from the radio and watching films at a cinema on Saturday mornings in Australia. It wasn't until I was nine years old on a ship returning from Australia that I was introduced to children's books.
This is how you can tell a real photographer: mostly, a real photographer does not say 'I wish I had my camera on me right now'. Instead a real photographer pulls out her camera and takes the photograph.
Once digital came, I could see my images instantly right there on the camera. I think that makes you a better photographer because you can see right there if your subject's eyes are closed or if you exposed it wrong and if it's too bright or dark. You can fix it right here. With film, you wouldn't know until you got the prints back if something was messed up, and then there was nothing you could do. That was a huge advantage.
I got my first relaxer when I was nine years old. This was in the '90s, and I convinced my mom to let me perm my hair so I could wear a French roll with the crimps in the front.
One thing they don't tell you about growing old - you don't feel old, you just feel like yourself. And it's true. I don't feel eighty-nine years old. I simply am eighty-nine years old.
When I first asked to take pictures of women at their homes, I was using my formal camera and I struggled to get the shots because I was still very much in the role of the photographer. Then the next time I had this little digital camera and their response to me would be completely different - I was a friend and I got new kinds of pictures. I was always treading a line between photographer and friend.
My first big job was an Abercrombie &Fitch campaign. But my mom wouldn't let me skip school for it, so I missed half of the shoot. When we got there, we realized Bruce Weber was the photographer; we knew we had made a mistake!
My dad gave my brother and I a camera to film our football games when we were 10 years old so we could see how we could get better. Then one day, we decided to pick up the camera and film whatever we were doing.
Actually, my ambition at eight or nine years old was to be one of Little Richard's sax players, and that's when I got my first saxophone, a Selmer. It was a strange Bakelite material - that creamy plastic with all the gold keys on it. I had to get a job as a butcher's delivery boy to start paying for it.
At age 12 I had an obsession with Kubrick's A Clockwork Orange and then proceeded to watch all the other Kubrick films I could including a doc called Stanley Kubrick: A Life in Pictures in which it was revealed to me that he started as a photographer...I got a camera sometime shortly after, but spent many years just photographing flowers in my neighborhood.
Now everyone's main objective of taking photographs is to have a photograph for Twitter or Facebook. I find that troubling. If you have an opportunity to meet the Dalai Lama, don't work out your camera or iPhone issues. Sit and a listen to what the man is saying, because nine times out of 10, you're not going to look at that photo. You're not going to look at the video. As a photographer, I don't carry a camera. I have my iPhone, but I don't carry a camera. I want to live.
I was somebody who was 14 years old and who got an opportunity to do a job where I could make money, and, most important, to go to school and to help my family financially. And luckily I was successful in my job, thank God. And there were a lot of people my age who didn't have that freedom I had and I'm grateful.
It's disgusting. Why would people idolize someone who doesn’t do anything and saying you're a model/photographer with a digital camera and photoshop does not count as an artist.
My first real acting job was 'Skins' at eighteen years old, and I just kind of grew into myself in those two years; I would have done terribly if I'd have got that job at sixteen.
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