A Quote by Nigel Barker

Everyone gets a pencil as a kid, but it doesn't make them all authors or painters or drawers or anything else. — © Nigel Barker
Everyone gets a pencil as a kid, but it doesn't make them all authors or painters or drawers or anything else.
I'm Straight Edge for me, so what everyone else is doing, it doesn't matter. I've never been pressured to drink or smoke or anything by any of the boys, and if anything, a lot of them like me because I'm always the designated driver. I'm the one who makes sure everyone gets home alright and I'm happy doing that.
The earliest paintings I loved were always the most non-referential paintings you can imagine, by painters such as Mondrian. I was thrilled by them because they didn't refer to anything else. They stood alone, and they were just charged magic objects that did not get their strength from being connected to anything else.
How are we going to make painters by lecturing to them? We are going to make questioners, doubters, and talkers. We are going to make painters by painting ourselves, and by showing the paintings of others. By working frankly from our convictions, we are going to make them work frankly from theirs.
I think the collectors have made an enormous contribution, not only to the market but to painters themselves... These people that buy, that set standards, make everyone else itch to emulate.
The thing I hear about a lot is when people over-sharpen their pencil with a single-blade pocket-sharpener and then when they put the pencil to the page, their tip breaks and pencil points always break irregularly. It always gets all jagged and you have to refresh the point. That's a common complaint.
As authors, most - most authors, our art is portraying the human condition. Trying to show you what it's like to be somebody else, trying to make you feel for somebody else. That means you have to have a high degree of empathy.
My mind is a chest of drawers. When I wish to deal with a subject, I shut all the drawers but the one in which the subject is to be found. When I am wearied, I shut all the drawers and go to sleep.
Somebody who only reads newspapers and at best books of contemporary authors looks to me like an extremely near-sighted person who scorns eyeglasses. He is completely dependent on the prejudices and fashions of his times, since he never gets to see or hear anything else.
There's always a pencil in my bag. I put everything in pencil in my datebook. I live in L.A. - everyone's flaky.
Everyone feels awkward, everyone feels uncomfortable, everyone gets older, everyone gets lonely, everyone gets sick, everyone eventually dies.
When I was an orphan, I was the richest kid at the orphanage because everyone else was complaining about not having anything. But when I discovered that you could get two cents for a Coca-Cola bottle, I would follow people around who were drinking it and ask them if they were almost through with it.
Anything that's popular gets made into a diet. Acai is no more of a diet than the eraser on your No. 2 pencil.
All art is propaganda. ... The only difference is the kind of propaganda. Since art is essential for human life, it can't just belong to the few. Art is the universal language, and it belongs to all mankind. All painters have been propagandists or else they have not been painters. ... Every artist who has been worth anything in art has been such a propagandist. ... Every strong artist has been a propagandist. I want to be a propagandist and I want to be nothing else. ... I want to use my art as a weapon.
I'm a total stationery fiend - I have drawers and drawers of lovely printed cards and wrapping paper.
When I'm dead I wanna leave a body of work, like authors or great painters do.
When I'm dead, I wanna leave a body of work, like authors or great painters do.
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