A Quote by Nigel Cooke
The paintings don't exist outside themselves. There's no lead photograph off the internet or anything like that. It all comes from my mind and it's a bit like a little movie each time - how do I get the props, the setting, the time of day, the light, the action.
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With 'Duplicity', I was a little bit like, 'This isn't that hard of a movie.' This isn't like some huge brain trust of a movie. You gotta be a little bit awake to follow the plot, but it's really just a kind of light entertainment. It's like those Cary Grant movies, which are not meant to be anything other than diverting. In a nice way.
The world of politics is divided between people who are introverts - who lose a little bit of energy out of each interaction they have so that by the time the day ends, after 1,000 interactions, they're exhausted - and people like Bill Clinton who are extroverted - who get a little bit of energy from each interaction.
We've decided [with Jordan Peele] that we need to be on the Internet for a little bit of time every day to figure out what's going on. It feels like we're working. It feels like you're all typing and you're searching.
I love being on movie sets. It's a very particular setting. And not all of the time, most of the time, there's always people you don't like, and you have to see them every day.
People see so many things in the paintings. Although I never think of them, it charms me a little bit that people actually project actual scenarios on to the paintings. Hopefully that means that they have a little bit of life to them. Figuring out the rhythm, the structural element has been the key thing in this work, more than the color element. It really was the variety of different widths that lead to a certain movement, a rhythm. Otherwise I'd fall into anything that was too stripy or almost like bar codes, and it thwarted the natural flow of the painting.
When I go home and get off tour, I'd like to have a peace of mind. I like to chill. I don't like everything to be all chaotic like how it is when I step outside, you know?
I think you always take away a little bit of a character with you, and it kinda like hangs on you for a bit, and then as time kind of goes and wears off a little bit.
Each time I make a movie, it's a little bit like taking another course in something because there's an argument between these people that I don't necessarily have an answer to.
I like to add props to render the specificities of place - paintings, food, clothing, signs, infrastructure, music, sayings and slang particular to the region and particular to the character. And props shouldn't just sit there; they should get used.
I find that if I use my time well and take care of my mind/body when I'm outside of work, then I feel more supported throughout my day. So, instead of waking up and going straight for my cell phone or running to the gym, I take a few deep breaths, envision what I'd like to achieve that day, then rid my mind of anything that isn't going to help me get there.
I'd love to do a Paul Greengrass movie, or something like that, that's a character-driven action film. I'd like someone to make me go to the gym every day, and all that stuff. I don't know. Wherever the good characters are, I tend to try to get a job. It was nice because this was dipping my toe in the action genre. Maybe I might put my foot in, next time.
Sometimes I get kind of bored if I go like a month or so and I'm not doing anything. At first I'm like, 'Cool, I'll have a little time off and I'll get to hang out with friends,' but then after a little while goes by I'm like, 'Oh,' and I really wish that I could go back and start doing work again.
A movie script more than anything else is a plan of action for the crew. Everybody in the crew looks at the script to see what they're going to do. It has to contain where you are, and how many people are there, and what they do, and what time of day it is, and what time of year it is.
I hike every day with my dog, after the kids are off to school. I tend to get wrapped up in all the things that need to be done during the day, so I really am strict about setting that time aside for myself and not scheduling anything before eleven, so I can get my hike in.
What's happening now with technology is we live with very porous boundaries. All those little interruptions fragment our time and attention and make us feel like work never ends. It makes us feel like we don't ever have that sacred time for family or to breathe or meditate or for leisure. Time is contaminated for everyone. I'm hoping that as we get used to these technologies we'll get smarter about how we use them and also how to shut them off.
Every time I do one I feel like I've never really quite learned anything. I always find that when I'm making a film, I find it a little bit like I'm doing it for the first time.
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