A Quote by Nigel Dennis
Big game photography in Africa is mainly done from a vehicle, so then I feel I might as well take the lot.
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I collect art on a very modest scale. Most of what I have is photography because I just love it and it makes me happy and it looks good in my home. I also have a pretty big collection of art books mainly, again, on photography. A lot of photography monographs, which is great because with photography, the art itself can be reproduced quite well in book form.
Your body is a vehicle of your emotions and a vehicle of feelings and a vehicle of whatever you need to get done in life. And you've got to take care of that vehicle.
I have problems with a lot of photography, particularly street photography and photojournalism - objectifying the other, finding the contempt and exoticism that you might feel within yourself or toward yourself and projecting it out to others. There can be an abusive power to photography, too.
It is always a danger when you have a big game ahead, but there is only one way to prepare well for our Champions League game - and that is to do well tomorrow. Therefore, I feel there is a lot at stake for us tomorrow. It is a massive game for us.
I feel that I've worked with a lot of interesting people, and I have no regrets. I'm just curious about what I might have done if I'd had people in my life then who did explain what the publicity game was.
I've done it before, and I might do it whenever we need to as a big guy... I'll take it. A hard foul is part of the game, which is good.
I had a lot of success in big tournaments as well - won Masters Series in Rome - so a lot of things are coming together. I've done a lot of hard work in the off-season. A lot of physical work, a lot of work on my serve and on my return game.
My photography is mainly focused on my work making movies, which I've done my whole life. I think I have a perspective that not many people have. And I get to take advantage of all of the strange sources of light on a set.
I'm not a great guitarist, but I do bits and bobs. I'm mainly a songwriter and a composer. I've done a lot of scoring and some stuff for British pop music that did pretty well, but I've mainly been working on my own stuff with Duncan Sheik.
My dad always taught me to never be satisfied: to want more and know that what is done is done. That was his way of seeing the game. You've done it, now move on. People might say, 'Well, when can you enjoy it?' But it worked for me because, in the game, you need to be on your toes.
If he had unlimited money at his disposal, he might go into the wilds somewhere and shoot big game. I never know what the big game have done to deserve it, but they do help to deflect the destructive energies of some of our social misfits.
I know I have a lot of potential to score big runs. So, yeah, I am trying to take it game by game and see that I make it big.
Developing good investments in Africa is by and large the best for the people of Africa that have a job, that have electricity, that might have clean water, that might have those things that we in the West take horribly for granted.
Most importantly, postmodernism comes down on the side of photography and power, not photography as power. As a consequence, photography continues to be conceived as an inconsequential vehicle or passage for real powers that always originate elsewhere.
There is a lot of social photography being done now to point to the untruth of photography. It's getting very dull now. So, okay photography doesn't tell the truth. So what? Everyone has known this forever.
First, I take a lot of time to just explain my vision of what the game should be to the team. Then I make all subsequent decisions based on how I want to feel when I buy the game, and what impressions I want to have of it. I then go about implementing the little points that will lead up to that finished product.
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