A Quote by Nigel Farage
I believe that the ability to talk to people and have them feeling engaged rather than patronised isn't something you can learn. It's a bit like being able to sing or play cricket. You can either do it, or you can't.
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I like being able to play make believe as my job. I think I played make-believe growing up a little too long - probably to an inappropriate age. I played make-believe until I was, like, 13 and probably should have been doing something else. But other than that, it's fun to be able to have to learn about different people.
The music was great for teaching about human nature. but I couldn't do any instruments or play anything. I like to sing. I'd rather sing than eat, but most people would rather hear me eat.
I like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.
I totally lucked out by meeting a lot of amazing people. I guess it stems from going to shows and being confident enough to meet people and be able to talk to them like a normal person rather than have my head down all the time.
The way I teach people to sing... I have them talk the lyric out until it sounds like something they really believe, like an actor with a monologue.
That's the beautiful part about acting - you get to play somebody other than yourself. So, I'm open to people who can't sing, people who can, people that sing a little bit, or people that sing a lot.
Something seems wrong to most people engaged in struggle when they see more people hurt on their own side than on the other side. They are used to reading this as an indication of defeat, and a complete mental readjustment is required of them. Within the new terms of struggle, victory has nothing to do with their being able to give more punishment than they take (quite the reverse); victory has nothing to do with their being able to punish the other at all; it has to do simply with being able, finally, to make the other move... Vengeance is not the point; change is.
Part of being a great restaurant chef is having an ability to bring all those people together, rather like a captain on a rugby field or a coach. It's also being a great teacher, because I'm only one person in a kitchen of 10 and I need to be able to bring all those people together and to teach them. I need to be able to communicate my thoughts and my process to them.
As long as I can sing halfway decent, I'd rather sing than act. There's nothing like being in good voice, feeling good, having good numbers to do and having a fine orchestra.
I believe unconditionally in the ability of people to respond when they are told the truth. We need to be taught to study rather than believe, to inquire rather than to affirm.
What I feel the most confident about as a teacher, whatever my strengths and weaknesses are. The fact that I got to be around those people, I feel like that I have something to offer because of that blessing. Being around them a little bit... I'm not them. I'm certainly not trying to compare myself to them. But in lieu of them being able to impart something, the fact that I had so many people like that that were kind to me and talked to me was invaluable.
I go for as much feeling as I can rather than show what I can do up and down the neck. I don't play to show people ability.
I would rather not be engaged. When people are engaged, they begin to think of being married soon, and I should like everything to go on for a long while just as it is.
Some people did take the domestic goddess title literally rather than ironically. It was about the pleasures of feeling like one rather than actually being one.
When I can do an acoustic set, I can sit down and sing. And then when I have a huge arena full of people, there's nothing like that. It's the coolest feeling in the world, but I also like to play small intimate shows because I feel you can connect a little more. And that's something I had to learn - how to connect to a big audience versus the small one.
We only now talk to our own, on Facebook and social media we talk to people, we friend and we like and we follow people who agree with us and rather than engaging with people who disagree with us, we unfollow them, we block them, we non-platform them.
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