A Quote by Nigel Hamilton

If the reader doesn't understand what you're saying, you're talking to yourself. — © Nigel Hamilton
If the reader doesn't understand what you're saying, you're talking to yourself.
A lot of people forget that today. They come to the point where you walk on a set and the first thing you know you're looking at the sound man and you're saying to yourself, "How the hell can they get any sound when nobody is talking!" They get all mumbly. You can't make out what they're saying! And you're 6 feet away from them! Whereas in the old-time movies, you hear them, you understand every word they're saying, and you didn't have to put on your loudspeaker.
I think it's very insulting to say, 'White people don't understand.' What are you talking about? You're part of the problem then if you're... speaking and labeling all white people, saying they don't understand the issue or saying they can't relate. That's really not giving people much credit, is it?
My first album was mainly dealing with street issues, and it was 'coded': it was called 'Reasonable Doubt.' So the things I was talking about... I was talking about in slang, and it was something that people in the music business was not really privy to. They didn't understand totally what I was saying or what I was talking about.
It's definitely a challenge, but it's even more than that. Beyond the basic need to understand what you're saying, a computer needs to understand what you're trying to do. So humans talking to computers present variable challenges.
It's weird, the evolution of a person. You understand yourself, you understand your surroundings. Then, when you understand who came before you, once you understand that about yourself and the energy that you came to this planet with, you understand more about yourself.
There is a saying that to understand is to forgive, but that is an error, so Papa used to say. You must forgive in order to understand. Until you forgive, you defend yourself against the possibility of understanding. ... If you forgive, he would say, you may indeed still not understand, but you will be ready to understand, and that is the posture of grace.
If I'm chatting to someone who's an anxious wreck and I don't understand it, because I've never been anxious, then it's strange. There's no real way of talking to them about it without saying, 'I've no idea what you're talking about. I'm better than you.'
When you're a war correspondent, the reader is for you because the reader is saying, 'Gee, I wouldn't want to be doing that.' They're on your side.
Surprise keeps the reader awake. The only alternative is to continue saying what the reader is expecting. What fun is that?
Perhaps it's worth saying again: One reader's discomfort should never stand in the way of another reader's survival.
Somebody I love and have a huge amount of respect for once told me something that, to this day, I don't really think I understand. It was probably toward the end of Harry Potter, and they were talking to me about afterwards and that kind of stuff. And they were saying, "You need to think of yourself as a brand and you need to protect that brand." I just don't understand what that really means in terms of being an actor, and I also think I would find that a slightly soul-destroying way to look at myself.
Whatever the press is talking about, they want to keep talking about it. So instead of asking yourself, 'How can I get them to start talking about me?', figure out a way to get yourself involved in what they're already talking about.
When you have talked yourself into what you want, right there is the place to stop talking and begin saying it with deeds.
Nothing prevents our denying life by suicide. well then, kill yourself, and you won't discuss. If life displeases you, kill yourself! You live, and cannot understand the meaning of life - then finish it, and do not fool about in life, saying and writing that you do not understand it. You have come into good company where people are contented and know what they are doing; if you find it dull and repulsive - go away!
I feel like the older I get, the truer it feels that I'm only going have an investment in a poem if it allows or forces me to bring something that's supremely me onto the page. I used to think that the speaker of a poem was talking to someone else, to some ideal reader or listener, but now I think that speakers - poets - are talking to themselves. The poem allows you to pose questions that you have you ask of yourself knowing that they are unanswerable.
It's dangerous talking about yourself too much because you find yourself talking in sound bites.
This site uses cookies to ensure you get the best experience. More info...
Got it!