A Quote by Nigel Hamilton

I've never really understood the term 'Post-Impressionism' as more than a label for Cezanne, Gauguin and van Gogh. — © Nigel Hamilton
I've never really understood the term 'Post-Impressionism' as more than a label for Cezanne, Gauguin and van Gogh.
I had a Vincent van Gogh, a small Provençal landscape. We sold it. If you're going to have a van Gogh it should be a really good van Gogh.
When van Gogh paints sunflowers, he reveals, or achieves, the vivid relation between himself, as man, and the sunflower, as sunflower, at that quick moment of time. His painting does not represent the sunflower itself. We shall never know what the sunflower itself is. And the camera will visualize the sunflower far more perfectly than van Gogh can.
A lot of the most prolific painters died broke and weren't appreciated in their time. I'm trying to remember who exactly I was thinking of - like Rembrandt, van Gogh or Gauguin. Some of those guys, they got whole floors of museums to themselves but weren't really appreciated in their time at all.
I knew that I had to find out more about van Gogh. Even though I was far too young, and felt I did not have sufficient technique to write a book about Vincent van Gogh, I knew I had to try. If I didn't I would never write anything else.
I wanted to paint in a folk-artist-y way. My heroes were Van Gogh, Gauguin, Matisse, and Rembrandt. I think Picasso is about as a modern as I got. But I incorporated things that they rejected as well as movements that happened later.
Vincent van Gogh's mother painted all of his best things. The famous mailed decapitated ear was a figment of the public relations firm engaged by Van Gogh's dealer.
Someone who copies a Van Gogh does not therefore become Van Gogh, and the same would go for Mozart or anyone else who contributed something that was original. Certainly in the way that I described visualizing numbers in abstract, meaningful shapes.
I want to be remembered. I want to have a legacy. Van Gogh only sold one painting before he died, which would mean that he wasn't famous when he was alive. But in 2017, I know who Van Gogh is.
What is drawing? It is working oneself through an invisible iron wall that seems to stand between what one feels and what one can do. - Vincent van Gogh, The Letters of Vincent van Gogh to His Brother
And then I went round the corner and there's a Van Gogh portrait, and you just think, well, this is another level. A higher level, actually. I love the Sargent, but it's not the level of Van Gogh.
What makes people the world over stand in line for Van Gogh is not that they will see beautiful pictures but that in an indefinable way they will come away feeling better human beings. And that is exactly what Van Gogh hoped for.
Although most of us know Vincent van Gogh in Arles and Paul Gauguin in Tahiti as if they were neighbors -- somewhat disreputable but endlessly fascinating -- none of us can name two French generals or department store owners of that period. I take enormous pride in considering myself an artist, one of the necessaries.
Van Gogh would’ve sold more than one painting if he’d put tigers in them.
It may be a point of great pride to have a Van Gogh on the living room wall, but the prospects of having Van Gogh himself in the living room would put a great many devoted art lovers to rout.
It is not a certain conformity of manners that the painting of Van Gogh attacks, but rather the conformity of institutions themselves. And even external nature, with her climates, her tides, and her equinoctial storms, cannot, after Van Gogh's stay upon earth, maintain the same gravitation.
I've always been really fascinated by Vincent van Gogh.
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