A Quote by Nigel Hawthorne
If I hadn't done 'Shadowlands,' which was a sort of emotional release for me as a person as well as an actor, it might have been less easy to have done 'George III.'
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I'm a curious person. I like to ask questions. Well, why? People would say, it's never been done. It's never been done does not mean that it can't be done.
I know when something is done and when it isn't. There's been times working on movies when they [moviemakers] lock in a release date and so you're stuck to that schedule. But sometimes you're still editing and you feel like you're not really done, but they're sort of releasing the movie anyway - that's kind of depressing.
I release all feelings of worry and guilt. Throughout life, the two most futile emotions are guilt for what has been done and worry about what might be done.
My dad always taught me to never be satisfied: to want more and know that what is done is done. That was his way of seeing the game. You've done it, now move on. People might say, 'Well, when can you enjoy it?' But it worked for me because, in the game, you need to be on your toes.
I rest in the light of forgiveness. I forgive myself and others for that which is done (and better left undone) and also that which is not done (and better if done). I give myself permission to enjoy this moment without guilt. I freely release all uncertainty, regret, and fear.
It is easy to understand that the best deed is well done: and so well as the best deed is done - the highest - so well is the least deed done; and all thing in its property and in the order that our Lord hath ordained it to from without beginning. For there is no doer but He.
To take all that we are and have and hand it over to God may not be easy; but it can be done; and when it is done, the world has in it one less candidate for misery.
I know I've done good work. I've been very serious about my writing, and I've done the best that I could. But I don't feel that I've done more than I should have. In fact, I've done less than I should have.
Interpreting gives me a chance to do what I do well and have done since I was a kid. At one time, I might have wanted to be an actor or performer, and it somehow fulfills that in a non-threatening way.
Say you are doing a portrait and the face is perfectly done, but the rest of it is done in brushstrokes. That is sort of like what might happen in the films.
Well, I'm a painter, I was trained as a painter. I seem to have spent a little less time painting than I might've done. But it didn't transcend the feeling of playing at UFO and those sort of places with the lights and that, the fact that the group was getting bigger and bigger.
There is a wealth of unexpressed love in the world. It is one of the chief causes of sorrow evoked by death: what might have been said or might have been done that never can be said or done.
If you're doing something like 'Arcadia' by Tom Stoppard, which has been done millions and millions of times, and it's been played some unbelievably well-respected actors, there's a lot more pressure there. But I try not to think about all the other people who have done it before me. You've got to try and be original.
I'm so excited about 'Shattered;' it's something I've really enjoyed working in, and it's very different from anything I've done before. I've always been a character actor and done a lot of support work. I've never really been the lead actor, so I'll try and use what I've learned along the way from the other projects.
News of Daniel's disappearance does not alarm me as it might have done a week ago. Given recent events, very little alarms me as it might have done a week ago. I feel as if my supply of alarm has been exhausted, at least temporarily.
I don't want to take shots at professional actors, because obviously the great ones are great. But I do think that given the kind of stories I've been telling in my films, it's hard for me to imagine how professional actors would have done better. And it's easy for me to imagine how they would have done worse. Because I think a lot of what an actor is trained to do and a lot of what an actor's instincts point toward is clarification, is always making it clear what's happening in the story, how the character fits into the scene, what the character wants.
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