A Quote by Nigel Hawthorne

I've never been afraid of being vulnerable on stage. It's a large part of life, and I think it's being dishonest to disallow an audience to see that side. — © Nigel Hawthorne
I've never been afraid of being vulnerable on stage. It's a large part of life, and I think it's being dishonest to disallow an audience to see that side.
I can never remember being afraid of an audience. If the audience could do better, they'd be up here on stage and I'd be out there watching them.
I found with poetry that I couldn't keep it up. I was too vulnerable. Maybe I was too aware of the audience. And I had impossibly high standards that I could never approach. So there was always a sense of being a failure, and of being vulnerable.
Only those who have never known fear are allowed to think less of others for being afraid. Frankly, I think anyone who has never been afraid of anything in their entire life is either a liar or lacks imagination.
Being on stage was all about the palpable energy of a rapt audience hopefully buying into a life onstage. The immediate connection with the audience was the best part for me. The camera is not as fun, but your work is preserved forever. There's immortality to it.
I guess after the whole success with 'Lean On' - me being introduced into this more mainstream audience - I was a little scared of being my true self, and being vulnerable and being gritty.
I do have a vulnerable side. I think a lot of people have a misperception of me. They only see the tough, defensive, aggressive side. But every woman is vulnerable.
In the studio, you can always stop, rewind and do it again, but on stage, you can never do that - it's a different energy. It separates good bands from bad bands, being able to play, perform and really capture an audience. I think that's the hardest part.
Professional wrestling, the WWE, and being in the Hall of Fame represent such a large part of Hulk's life, as does his connection to the audience.
I think it's sort of rare in TV shows or movies to see people being vulnerable. That's sort of scary to an audience.
And from the first moment that I ever walked on stage in front of a darkened auditorium with a couple of hundred people sitting there, I was never afraid, I was never fearful, I didn't suffer from stage fright, because I felt so safe on that stage. I wasn't Patrick Stewart, I wasn't in the environment that frightened me, I was pretending to be someone else, and I liked the other people I pretended to be. So I felt nothing but security for being on stage. And I think that's what drew me to this strange job of playing make-believe.
I think the idea of being on stage and playing for people, and being able to inject a little bit of joy into their lives is a really exciting concept for me. That's definitely why I make music. It's never been for any kind of materialistic reasons, so that thought of being able to be up on stage, and being able to give something to someone in a moment of need for them - that gets me up in the morning; that really excites me.
I've always been so interested in the way the body feels when singing or being on stage, or being in the audience for that matter. It doesn't have to be the typical "rock" experience. It can be so much more.
A large part of my filmmaking self has to do with my love of being in the cinema audience, and my relationships to what I want to see on the screen, what I have seen on the screen and what I don't want to see on the screen again.
From the stage, I can reach a large audience, and you learn from being on stage how much a song reaches, what extent of the crowd a song can reach. I write in a way that can reach most of the audience, but I also wanted to have truly intimate moments as well, many intimate moments, more so than the big moments.
There is probably some great acting that goes on in movies from people who have never been on a stage, but if you are in for the long haul, you'd be missing an enormous part of what being an actor is if you're not part of theater.
The first time I can remember being on a stage in front of an audience was one that came with triumph, adrenaline and a childlike tragedy. The first time I was on a stage, it wasn't even a music concert. It was a magic show. That being said, the life I lead now isn't what you would call 'destiny'.
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