A Quote by Nigel Hawthorne
I used to bury myself in character parts and put on a lot of makeup and use a lot of props. At first I thought it was clever to put on false noses and to do funny voices, but then I suddenly thought, no, that's wrong, you don't do it from the outside, you work from within.
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I used to spend a lot of time alone as a kid, creating characters and doing voices in my room, and I thought to myself, I'm either going to go absolutely nuts, or I'm going to find something to put that energy into.
I grew up learning from numerous makeup artists how to put on makeup, different ways you can put on makeup, what type of makeup to use, what type of makeup not to use.
Makeup does a lot for your confidence. When I put makeup on, I walk taller. I smile more. I feel good. I know I look prettier. Even if I just put day makeup on.
Well, as I got older and started using makeup, I wanted to use something lightweight under my makeup that wouldn't clog my pores. So I get up in the morning, brush my teeth, wash my face, and do my whole routine. Sunscreen is the first thing I put on before I put on my makeup.
He thought of men like Hitler, Stalin, and Napoleon. All it took was a lot of seemingly decent people to put the wrong person in power and then fall under their spell.
I was always interested in music, I felt it was time to do it, coming out of the punk scene [1979]. I thought it was ideal that anyone could just put together a group and make it work. Then, of course, it became a little more detailed after starting it and realizing that it was something serious, not just a one-off situation. I had to put a lot more into it. Also I did it to get a lot of things out of my system, things that had been put there while I was growing up in my family. A sort of exorcizing of demons.
I think, honestly, that the word 'indie' is a false gimmick. 'Independent' used to mean a movie that was financed outside corporate Hollywood, but a lot of what gets called independent these days is totally produced within that system. And there's nothing wrong with that.
Last night I thought about all the kerosene I've used in the past ten years. And I thought about books. And for the first time I realized that a man was behind each one of the books. A man had to think them up. A man had to take a long time to put them down on paper. And I'd never even thought that thought before...It took some man a lifetime maybe to put some of his thoughts down, looking around at the world and life, and then I come along in two minutes and boom! it's all over.
In my day-to-day, I don't wear a lot of makeup, but if I have a lot on from a red carpeted event, I'll use a regular makeup wipe to remove it. Then I use a gentle foaming cleanser, which really gets down into the skin rather than just helping remove the makeup.
In high school, I was so painfully self-aware that how I thought of myself was probably very different from what other people thought of me. I thought of myself as just painfully awkward and dorky. I had a lot of hair and was kind of weird. I sang a lot in the hallways.
Allen Ginsburg was wrong about a lot of things, but especially when he said, 'First thought, best thought.'
If you are lucky as an actor, you are doing a character that really matches where you are in life, or you're doing a character that is not where you are. If it's somewhere in between, you have to use a lot of imagination and a lot of thought.
I started doing comedy just as myself, because I thought, "This is what's expected, you're meant to tell stories and do observations." And then I started to realize that I wanted to mix it up a bit, so I started to doing songs, and I had a little keyboard onstage and would bring in little props. Then I thought about the idea of talking about a character and becoming the character onstage. So, it sort of morphed into being stand-up that was more character based, and I found that's the stuff I got the better reaction from and was more exciting for me.
My stories take three or four months to fix, and it's not magical of a process. Ultimately it's a boring, difficult process. I write everything out, and then the parts I think are funny I put in bold. Then I go perform it. Then the parts that aren't funny, I unbold them.
I had a liver transplant, then I had a pacemaker put in, then I had a new knee put it, then I had a heart valve put in. I'm almost brand new. I have a lot of new parts.
I put a lot of time and thought into my work, which I see as a sort of respect for both the work and the audience, and I have always been very concerned that the materiality of the work reflects that.
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