A Quote by Nigel Kennedy

You can't learn pathos or profundity. — © Nigel Kennedy
You can't learn pathos or profundity.
Beyoncé and pathos are strangers. Amy Winehouse and pathos are flatmates, and you should see the kitchen.
I believe that music offers us possibilities for analysis, at least in my case, more profound in many ways, but at the same time that profundity is an accessible profundity that has atemporal repercussions.
Pathos activates the eyes and ears to see and hear. At times of pathos, illness opens doors to a reality which is closed to a healthy point of view.
Annoyance and pathos warred in my breast, and after a short struggle, annoyance punched pathos in the snout like the voracious shark it was.
I'm attracted to pathos, because life is mostly pathos. I've had a lot of it in my life.
I like to weed out the people who aren't going to enjoy me straight off the bat. If you look at all my specials, I do start more extreme and then, as I get into it, sort of at the three-quarter mark, I normally have a bit of pathos. Is pathos the right word?
In theatre or in ballet, the ballerina always passes on what they know. It's a hands-on craft. You can't really learn the soul and the pathos of it if you just see a video. It has to be taught by someone who is in the know.
I always like junkyards. All this metal piled up - they're filled with pathos, those places. Much more pathos than most of the music I've heard. You look at it, and there's more feeling, even though it's depressing, than there is in a lot of music I hear these days. A junkyard is what it is, whereas listening to a record by, say, Styx, is something else.
As soon as a man recognizes that he has drifted into age, he gets reminiscent. He wants to talk and talk; and not about the present or the future, but about his old times. For there is where the pathos of his life lies - and the charm of it. The pathos of it is there because it was opulent with treasures that are gone, and the charm of it is in casting them up from the musty ledgers and remembering how rich and gracious they were.
Complexity and profundity have been equated by the academic culture just as fame and significance have been conflated by the popular culture. Fame and significance have nothing to do with one another; and complexity and profundity have nothing to do with one another.
In Aristotelian terms, the good leader must have ethos, pathos and logos. The ethos is his moral character, the source of his ability to persuade. The pathos is his ability to touch feelings to move people emotionally. The logos is his ability to give solid reasons for an action, to move people intellectually.
There is profundity to explore, but also laundry to do.
You live, you learn, you love, you learn, you cry, you learn, you lose, you learn, you bleed, you learn, you scream, you learn
Profundity and originality are attributes of single, if not singular, minds.
Comedy is hostile to profundity, and brings everything to the surface.
It is the specialist's task to talk about means, about centimeters. An artist's task is to talk about the goal, about kilometers, thousands of kilometers. The organizing role of art consists of infecting the reader, of arousing him with pathos or irony -- the cathode and anode in literature. But irony that is measured in centimeters is pathetic, and centimeter-sized pathos is ridiculous. No one can be carried away by it. To stir the reader, the artist must speak not of means but of ends, of the great goal toward which mankind is moving.
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