A Quote by Nigel Kneale

You get to Hollywood and you are in the land of big money where they don't like to see only one screenwriter's name. It's much better if you've got four or five. — © Nigel Kneale
You get to Hollywood and you are in the land of big money where they don't like to see only one screenwriter's name. It's much better if you've got four or five.
Four. That's what I want you to remember. If you don't get your idea across in the first four minutes, you won't do it. Four sentences to a paragraph. Four letters to a word. The most important words in the English language all have four letters. Home. Love. Food. Land. Peace. . .I know peace has five letters, but any damn fool knows it should have four.
The Hollywood structure was monopolistic, run by four or five big studios.
Pressure is when you've got thirty-five bucks riding on a four-foot putt and you've only got five dollars left.
I run about four to five miles, three days a week. I have four young children, so pretty much the only time I can get away is real early in the morning.
I've realized as well after five years of being on the road that if I'm going to four or five months of my life to something even if I'm overpaid, it's four or five months of my life away from home, away from my son, away from family and friends. I better believe in it on some level even if it's a big movie.
I tried to change my name for the fights, but the only way they could pay me money was if I used my own name. I wanted to change my name to, like, Romeo something-or-other, and they said, "No, we can't do that. We've got to use Mickey Rourke." Because they paid me a lot of money to go over to Europe and Asia to fight.
I could name about a dozen paths, and you'd like to have a whole bunch of research on all those paths, and then, eventually, at least four to five companies with really significant financing try and get to big scale, going down and really trying to prove it out.
All the ballparks and the big crowds have a certain mystique. You feel attached, permanently wedded to the sounds that ring out, to the fans chanting your name, even when there are only four or five thousand in the stands on a Wednesday afternoon.
What I got out of baseball is what I have today, and I've got to look at that. I still see some of my friends that never made it past Triple-A. I made that last big step. I was lucky. I'm in love with my land. I got it all from playing ball. It gives me prestige. Someone says, 'What you got?' I say, 'One hundred and twenty-one acres of nice land.'
The only real reason that I'd have for working for Hollywood is the fantastic amounts of money involved, and that isn't enough of an incentive to really give up the degree of control that I have over my work at the moment with comics. I suppose that's probably why I don't have any designs on being a screenwriter.
Land taxes is the thing. They got so high that there is no chance to make anything. Not only land but all property tax. You see in the old days, why the only thing they knew how to tax was land, or a house. Well, that condition went along for quite awhile, so even today the whole country tries to run its revenue on taxes on land. They never ask if the land makes anything. "It's land ain't it? Well tax it then."
We like companies that can get big and powerful on $50 million or less and not two, three, four or five billion.
Everyone used to chuck snails at each other at school, and I used to try and save them. And not only did I get in trouble for it, I got suspended for doing it. For saving the snails I kept about four or five hundred of them at the back of the class -- in Snail Land. We were like six or seven or something, people didn't even realise what they were doing. I had a strange compassion for snails. And the teacher just chucked them all in the trash in the end.
It's a very strange experience to be four or five days from the closest point of land, and you see more plastic than life.
I don't care much about the outcome. I'd like for people to feel better and have better lives, but I don't think that's in the cards through political action. I think bloodshed is still the way you get dramatic change. That'll never happen because they've got all the guns now. At least they've got the nice guns, the big ones, the ones with night vision.
The last thing I want to turn into is a fat Hollywood jerk. I was brought up without much money and I was happy. I don’t think that I will strive for money or success and end up greedy or big-headed. That only leads to unhappiness. I can still be down-to-earth and do this job as long as I enjoy it.
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