A Quote by Nigel Melville
I played ten injury-free years between the ages of 12 and 22. Then, suddenly, it seemed like I was allergic to the twentieth century.
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Apart from two periods of intense study, of music between the ages of 12 and 14 and of mathematics between the ages of 14 and 16, I coasted, daydreaming, through most of my school years.
Adolescence is a period of rapid changes. Between the ages of 12 and 17, for example, a parent ages as much as 20 years.
I was like one of those people who is allergic to the twentieth century... I'd been brought up to think there was some order to things, but there was no safety net. Doctors accused me of being mad.
The thriller is the cardinal twentieth-century form. All it, like the twentieth century, wants to know is: Who's Guilty?
The humanities and science are not in inherent conflict but have become separated in the twentieth century. Now their essential unity must be re-emphasized, so that twentieth-century multiplicity may become twentieth-century unity.
In ages past, there was less of a dichotomy between good literature and fun reads. In the twentieth century, I think, it split apart, so that you had serious fiction and genre fiction.
. . I think the Adam Smith role was played in this cycle i.e. the late twentieth century collapse of socialism in which the idea of free-markets succeeded first, and then special events catalyzed a complete change of socio-political policy in countries around the world by Friedrich Hayek's The Road to Serfdom.
I feel blessed that I had an opportunity to be in the Big Ten for four years as a player and be in the Big Ten as a coach for eight years. To get 12 years in a conference like the Big Ten - it's a first-class league with great towns and great fans.
You never want to get injured, of course. That's just not what you do, but in the scheme of things 12 years of professional fighting and having to sit out nine, ten months for an injury is not that bad.
I played Winnie Cooper on 'The Wonder Years' from ages 12-18, and did a few other movies during some of the summers.
The trouble with us is that the ghetto of the Middle Ages and the children of the twentieth century have to live under one roof.
The nineteenth century planted the words which the twentieth century ripened into the atrocities of Stalin and Hitler. There is hardly an atrocity committed in the twentieth century that was not foreshadowed or even advocated by some noble man of words in the nineteenth.
I do a lot of pivoting. There was one cover I did of Donald Trump, after he won Iowa, it seemed like it was over for him at the beginning of the primary process. I was given the go-ahead on it right away. I drew it and he won the next primary, and suddenly, the cover didn't make any sense. And then, after the Democratic National Convention, it seemed like he was finished, Hillary Clinton seemed to be gaining strength, so the cover ran then. So it seemed like you can come up with an idea and it can be rendered useless two days later and then all of a sudden it's relevant again.
Between the ages of 8 and 12 it was difficult to know what my father was saying, and he moved very slowly, and then he died.
In general, I write for ages 12 and up - although I've received emails from readers between the ages of seven and seventy. My books are science fiction.
Film is more than the twentieth-century art. It's another part of the twentieth-century mind. It's the world seen from inside. We've come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film. You have to ask yourself if there's anything about us more important than the fact that we're constantly on film, constantly watching ourselves.
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