A Quote by Nigella Lawson

I took a fortnight off. But I'm not a great believer in breaks. I don't want to be rattling around inside my own head. I did feel I was spiralling into a Kathy Burke character and tried going out, but I prefer it here. Filming keeps me busy. It absorbs me.
Scarily, football helmets, which do a fine job of protecting against scalp laceration and skull fracture, do little to prevent concussions and may even exacerbate them, since even as the brain is rattling around inside the skull, the head is rattling around inside the helmet.
Somewhere I just want to find someone that's going to love me forever no matter what; I want someone to show the inside of my head to. That thought keeps me going.
I must say Steven Spielberg was great to me, and I loved working with him. He called me up on the phone and was like, "I want you to be in this movie - 1941. There are a couple of parts. You can take whichever one you want. One of them is a main character who is involved in everything, and there's another character who has his own storyline and goes off on his own. He's probably the funnier, more unique character." I said, "Well let me do that second one."
I've always done drama, but I suppose 'Tyrannosaur' was a bit of a watershed moment for me. It was like when Kathy Burke did 'Nil By Mouth' - suddenly, people were saying, 'Oh, she can do that, too.'
I really tried to work out hard to emulate the look and feel of the character, and did my best to represent the great artists that created him. At the same time, as an actor you have to find what you relate to in the character and make it your own, and hopefully people respond to it.
Everyone keeps me telling me how great a knee replacement is. Whitey Ford said it was great and so did Ralph Branca. If I had one of those, I don't know that I would retire. But if I left for a month or more, who's going to want me back?
I work out. I try to work out every day. That keeps me in the moment, which is great. Keeps my head from thinking about the future and the past too much. I love working out. That really helps me a lot.
I write for what's left of the eight-year-old still rattling around inside my head.
I write for what's left of the eight-year-old still rattling around inside my head
My goal is to make something special and pure, and that keeps me going, keeps me busy on the path of sobriety.
Get inside her head. Get inside any character's head and ask what they want in this scene. And if you work from the perspective of what they want, there's not going to be any wrong answer. There's going to be some boring answers, but none of them are going to be wrong. As long as she has agency, then you're on the right track.
I just kind of stumbled into this Marvel thing with 'Spider-Man.' It's been great. I love it, it keeps me in town, it keeps me busy, and it's a lot of fun.
I tried to visualize my jealousy as a yellowy-brown cloud boiling around inside me, then going out through my nose like smoke and turning into a stone and falling down into the ground. That did work a little. But in my visualization a plant covered with poison berries would grow out of the stone, whether I wanted it to or not.
It's a real stumper to sit around and try to think in your own head, but when you go into somebody else's head that takes the foot off the breaks. You can think in someone else's head.
Dante said, “I tried talking Nora into a ride, but she keeps blowing me off.” “That’s because she has a hard-A boyfriend. He must have been homeschooled, because he missed all those valuable lessons we learned in kindergarten, like sharing. He finds out you took Nora for a ride, he’ll wrap this shiny new Porsche around the nearest tree.
I prefer not to wink out from behind the character as myself, saying to the audience, "It's just me here, right, guys?" Peter Sellers is my model, and he didn't do that - he wore his character from head to toe.
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