A Quote by Nigella Lawson

I can understand why those primitive desert people think a camera steals their soul. It is unnatural to see yourself from the outside. — © Nigella Lawson
I can understand why those primitive desert people think a camera steals their soul. It is unnatural to see yourself from the outside.
People think the camera steals their soul. Places, I am convinced, are affected in the opposite direction. The more they are photographed (or drawn and painted) the more soul they seem to accumulate.
People are not used to seeing skiing on water, so I can understand why they think it is fake. That's why we started using outside views: so people can see that's its real.
I don't understand Chicago, but I really do hope that the Commander-in-Chief addresses his home town. I think those young kids don't see outside their small box. I think they don't see outside their circumstances, so they kind of resort to anything.
I really do believe the camera steals the soul. But that may be because I'm worried about my soul. I don't have much of a soul to begin with; I can't afford to lose much.
If this were so; if the desert were 'home'; if our instincts were forged in the desert; to survive the rigours of the desert - then it is easier to understand why greener pastures pall on us; why possessions exhaust us, and why Pascal's imaginary man found his comfortable lodgings a prison.
There are cultures that believe having your photograph taken steals your soul. I don't think there is a stolen soul in a picture, but still - why is it so hard to throw them away?
I don't like horror, which is ridiculous because I've been in three horror movies, but when I see those things, I see camera tricks and fake blood and actors screaming and I don't know understand why other actors don't see that.
Ballet is like football. I don't understand a footballer's technique but I can see when he's playing brilliantly. People don't like ballet because they think they don't understand it. Actually they do. It's the most primitive form of appeal.
There are tribes in Africa who believe that a camera steals a little part of your soul, and in a way, I think that's true about living your private life in public. It takes something away from your relationships; it cheapens them.
Not everybody's the perfect person in the world. I mean everyone kills people, murders people, steals from you, steals from me, whatever. I think that people need a second chance.
Like all other lonely or hungry things, ego loves the light. It sees light, and the possibility of being close to the soul, and it creeps up to it and steals one of its essential camouflages. In a hunger for soul, our own ego-self steals the pelt
I don't seem to get solemn about it, and some people might not understand. That's why I never talk about it. I think it's all here -- in the mountains and the desert. I don't think God is a softie, either. In the end, it's better if people are forced back into -- well -- into being right, before they're too far gone. I think your temple is your everyday living.
I read recently that I was born in Arizona. I wasn't born in Arizona. I was born in New Mexico, but I can understand why people might confuse those two Southwestern desert states.
I think when you move to a country like the U.S., you need to understand the culture, to understand how people see the game, and adapt yourself.
Everyone wants to understand art. Why don't we try to understand the song of a bird? Why do we love the night, the flowers, everything around us, without trying to understand them? But in the case of a painting, people think they have to understand.
Why are people more appalled at what they term an unnatural form of dying than by an unnatural form of living?
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