A Quote by Nikita Dragun
I would be in class, and we'd talk about influencers and brand deals, and my face would pop up on the screen and they'd start talking about me! They had no idea that I was sitting in the class. I never wanted anyone to know.
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In my writing class, we never, ever talk about the writing - ever. We never address a story that's been read. I also won't let anyone look at the person who's reading. No eye contact; everybody has to draw a spiral. And I would like to do a drawing class where we could talk about anything except for the drawing. No one could even mention it.
The interesting thing about class warfare is that it's only class warfare if it's up, not down. If you talk about welfare cheats or something, that's not class warfare because it's down; you have to talk about rich people before it's class warfare.
I actually once sat at the back of a payroll class in America - just me and 40 women! And I'm sitting back there, learning payroll, because I want to understand it. So that when I talk to people about payroll I know what they're talking about. And I set up and managed and ran a full payroll system myself.
We worked on The Perfect Storm, and I'll never forget, Wolfgang Petersen would talk about a moment. Like a non-speaking moment, where we'd all be sitting around eating dinner, and it would probably last maybe four seconds on screen. But he would sit there and talk about it for about 10 minutes. He knew what piece of the puzzle that scene would be, and if it were six seconds, it would be too long. If it were three seconds, it wouldn't be enough. I'm always turned on with people's enthusiasm like that.
In history class, I wrote a poem, 'The Royalists and the Roundheads.' I would write poems about driftwood in art class and little stories about the sun, moon, and stars in science class. Since not many kids were writing in class, I got away with it.
Lucas: I wanted to talk to you after class, but you disappeared. Me: I have another class right after. One of those profs who stops talking, stares at you and waits until you get to your seat if you're late. Lucas: I would probably just walk to my seat even slower. ;)
When I talk about 'working class,' I don't talk about 'white working class,'. I talk about 'working class,' and a third of working class people are people of color. If you are black, white, brown, gay, straight, you want a good job. There is no more unifying theme than that.
I think that to me, films are personal affairs. It doesn't mean that I am against other people doing things differently, but I'm talking about what I can do. So I don't feel comfortable going to a new city or a certain class of which I don't have sufficient knowledge, doing research on that, and then writing a story about it I don't think I have the ability of presenting other people on screen in that way. It makes me uncomfortable. This doesn't mean that I only want to talk about myself. I want to talk about what I know.
About a year after I moved to Los Angeles, I decided I wanted to be a joke writer for a late night talk show. So I met with a late night joke writer and he told me that I should start by doing stand-up comedy, because that would really hone my sense of humor and joke writing ability. Eventually I took a stand-up class and a few months later I had a seven-minute act.
I have thought about the next steps, and you know, they still don't know that I can dance. They don't know it, and it's frustrating me because I feel that it's an edge that I have, and I'm not talking about I took this hip hop class, I'm talking about this is how people actually know me.
You know, you can talk about race, you can talk about sex, you can talk about your biopsy. But when you get into class, people kind of clench up.
You could ask me to teach you.” “Huh?” This night is getting weird in a hurry. “Teach me like you’re teaching a class or something? What are you going to call it: ‘You Too Can Be a Sociopath 101’?” “It would be more like a graduate-level class.” I start to snicker. His sense of humour sneaks up on you. Then I remember who’s talking and bite it off.
I never talked about homosexuality with my family. After I was 18, they know everything, but I never talk; it was like an information but in silence. I start to talk when I was 32, it was good for me - it was like a liberation. I'm talking about a love story. I'm not talking about sex because love is love.
You're not like the others. I've seen a few; I know. When I talk, you look at me. When I said something about the moon, you looked at the moon, last night. The others would never do that. The others would walk off and leave me talking. Or threaten me. No one has time any more for anyone else. You're one of the few who put up with me. That's why I think it's so strange you're a fireman, it just doesn't seem right for you, somehow.
The English don't like concepts, really, not from a pop star. It's alright if they come from an 'intellectual,', but from a pop star you're getting ahead of yourself. Part of the class game is that you shouldn't rise above your station, and to start talking about concepts if you're in the pop world is getting a bit uppity, isn't it?
Ah!" I cried, springing up. "But no! no! My uncle shall never know it. He would insist upon doing it too. He would want to know all about it. Ropes could not hold him, such a determined geologist as he is! He would start, he would, in spite of everything and everybody, and he would take me with him, and we should never get back. No, never! never!" My over-excitement was beyond all description.
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