A Quote by Nikita Dutta

It feels great pleasure and honour to be associated with a film like 'Gold.' I have always believed in meaningful cinema, and this movie was one such opportunity. — © Nikita Dutta
It feels great pleasure and honour to be associated with a film like 'Gold.' I have always believed in meaningful cinema, and this movie was one such opportunity.
I've always been drawn more to film. But 'Bloodline,' to me, feels like a 13-hour piece of cinema. And the great thing about Netflix is you get to be almost like an editor. You choose how much of the narrative you want to watch at a time, which makes you complicit in the story.
It feels phenomenal. It's a great feeling. 'Race 2' is a big film to be associated with.
The Lego Movie: Merely a great film, or the greatest film ever in the history of cinema?
I'm not coming from film school. I learned cinema in the cinema watching films, so you always have a curiosity. I say, 'Well, what if I make a film in this genre? What if I make this film like this?'
The film The Conquest will be seen on many different levels and the American point of view is always more technical. The French are less technical - it's 'I like it, or I don't like it.' I hope that this film can have a life in the U.S. - it's the grand country of cinema. I grew up with Hollywood movies, so for a French director to have a film distributed in the U.S. is a real opportunity.
I've always believed that if you want to really try and make a great film, not a good film, but a great film, you have to take a lot of risks.
The years after 50 can be a time of great productivity, meaningful work, pleasure, creativity, and innovation. It's a huge opportunity.
I think cinema, movies, and magic have always been closely associated. The very earliest people who made film were magicians.
Having my friends close to me is always a pleasure, a great honour.
It always feels nice to be associated with a team you share a great bond with.
If you're going to break cinema, film, and movies apart, very rarely to you get the opportunity to even think that you've been a part of cinema.
When you make a film it is like asking yourself a question. When it is finished, you know the answer. Ultimately with all of cinema, we are just trying to learn about ourselves. I have always used the opportunity to make a film to learn more about myself, which I am still doing.
To evoke the classic period of Italian cinema in a little film seemed like a great, fun thing to do. I had relations to that period. I had known Fellini and I had known Antonioni. I had made a movie with Antonioni and I had visited Fellini in his studios. So, it seemed like something worthwhile doing. You bring yourself to that mythical cinema.
Gold medal always feels great. In fact, any appreciation or acknowledgement is a great morale booster.
Realism is always subjective in film. There's no such thing as cinema verite. The only true cinema verite would be what Andy Warhol did with his film about the Empire State Building - eight hours or so from one angle, and even then it's not really cinema verite, because you aren't actually there.
For people to understand, you can't speak 'cinema.' Cinema doesn't have alphabets, so you have to go to the local language. Even in England, if they make a movie in London they have to make it in the Cockney accent, they can't make a film with the English spoken in the BBC. So cinema has to be realistic to the area that it is set in.
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