A Quote by Nikita Khrushchev

Just imagine: I, a Premier, a Soviet representative, when I came here to this city, I was given a plan - a program of what I was to be shown and whom I was to meet here. But just now, I was told that I could not go to Disneyland. I asked, 'Why not?' What is it, do you have rocket-launching pads there? I do not know
I must admit that the existence of Disneyland (which I know is real) proves that we are not living in Judaea in 50 AD. . . . Saint Paul would never go near Disneyland. Only children, tourists, and visiting Soviet high officials ever go to Disneyland. Saints do not.
I also meet with city officials, representatives from governors' offices, really anyone in that sort of position who has shown an interest in youth fitness, to let them know why this sort of program is so important. I give the same message when I speak at conferences.
Michael Eisner contacted me once and asked me if he could change the name of Disneyland to 'Braffland.' I said no, because whenever I go to Disneyland there's always fat people everywhere wearing tight clothes. Disneyland, frankly, has a lot of improving to do before it gets my namesake.
The idea came from my wife, since in our village, women cannot afford to buy sanitary pads. When I asked my wife, she told me we would have to cut down half of our milk budget to buy sanitary pads. Moreover, while raw materials for sanitary pads cost 10 paise, the end product was sold for 40 times that price. So, I decided to create it on my own.
Why shouldn't it be that way for the rest of us? Why not just go with it? Just walk the dog and send the tweets and eat the scones and play with the hamsters and ride the bicycles and watch the sunsets and stream the movies and never worry about any of it? I didn't know it could be that easy. I didn't know that until just now. That sounds good to me.
The expense of getting into space is the rocket launch, the rocket itself. Rocket's right now, commercial rockets cost probably somewhere between $50, or $120, or $150 million per launch. And those are all expendable. That is, you've got to buy a new rocket for each launch. So, that really is the critical part. If there was some kind of really, a revolutionary breakthrough and the price of rockets fell by an order of magnitude, I mean, just imagine what that would do as far as getting access to more ordinary people.
I started to have panic attacks on stage and my wife just asked, "Why don't you just stop?" I was doing Ghost Whisperer at the time so I was making enough money where I could put it away and she said, "Then, when you go back, you just go up and tell the truth." And it's a lot more tiring.
I never go to the Grammys. I just never go. I don't know if I care enough, and I went because my son wanted to go, and they asked us to present Best Hip Hop Group of the Year. You know, we had two records from Compton in there, and it was just like a cool thing to do, and to do with your son, and it was just cool. But we was the first award up, so after I did my thing I just jumped in the car and came on back home.
People always ask, "Why jazz?" and I'm like "Why not?" It's kind of like asking Seurat, "Why so many dots?" I imagine if you asked Bjork, "Why the Tibetan bells?" She'd probably be like "That's just what I heard." It's the same thing. This is just the way I see music.
Disneyland is a work of love. We didn't go into Disneyland just with the idea of making money.
Schools are launching pads, launching our kids into their futures. Unfortunately, a lot of what we teach now looks identical to what we taught 40, 50, or 60 years ago. There's a need for both timeless curriculum content and timely content. What seems to be falling by the wayside is timely content.
Let it be told to the future world, that in the depth of winter, when nothing but hope and virtue could survive, the city and the country, alarmed at one common danger, came forth to meet and to repulse it.
Imagine a city where graffiti wasn't illegal, a city where everybody could draw whatever they liked. Where every street was awash with a million colours and little phrases. Where standing at a bus stop was never boring. A city that felt like a party where everyone was invited, not just the estate agents and barons of big business. Imagine a city like that and stop leaning against the wall - it's wet.
I've definitely had my share of calls where I just laugh. Someone came to me once and wanted to do a signature Hawk cologne. I was like, 'Of what? Sweaty pads? Am I wringing out my pads into a little perfume bottle?'
When I started on Disneyland, my wife used to say, "But why do you want to build an amusement park? They're so dirty." I told her that was just the point - mine wouldn't be.
Somebody asked me what I wanted to do. I just said I wanted to…just to give back to it what it’s given me. And to meet all the other people that are doing it…just to be in the world, really.
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