A Quote by Nikita Parris
I have a niece now, and it makes me want to be better for her, just to show that there's a big wide world outside Toxteth, and you can imprint yourself in any one of those places as long as you do the hard work and have the desire.
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I balance things better and don't kill myself so much, but conflict makes me a more interesting actress to watch. The places I go to pull emotions from, I think if you have a perfect, happy life, you just don't have those places. And I want those places. I'm proud of those places.
I like to service the full audience of America, so I try to do things that are just real artistic, like when they don't have the most money, but it's a great piece of work. Then, there are big, fun comedies and big animated movies for kids. I want to do things for my nieces and nephews. Ultimately, we're trying to deliver something entertaining to an audience. As long as it can entertain the audience, and it makes me or my niece and nephew laugh or cry, then I think it's good.
Cookbooks hit you where you live. You want comfort; you want security; you want food; you want to not be hungry and not only do you want those basic things fixed, you want it done in a really nice, gentle way that makes you feel loved. That's a big desire, and cookbooks say to the person reading them, 'If you will read me, you will be able to do this for yourself and for others. You will make everybody feel better.'
I feel the urge, familiar now, to wrench myself from my body and speak directly into her mind. It is the same urge, I realize, that makes me want to kiss her every time I see her, because even a sliver of distance between us is infuriating. Our fingers, loosely woven a moment ago, now clutch together, her palm tacky with moisture, mine rough in places where I have grabbed too many handles on too many moving trains. Now she looks pale and small, but her eyes make me think of wide-open skies that I have never actually seen, only dreamed of.
You start out with big dreams and I mean, big dreams artistically. You want to work with the greatest living directors, make a great movie. I wanted to make a great love story, I wanted to make a great epic and then you realize that the truth of it is that it's so hard to make a great film. It's hard to get a great role. Those big expectations change to realism pretty quickly. But what's never changed is my desire to work with great directors and to find projects that push me out of my comfort zone and keep me alive. I still don't think I've done my best work
She understood now why her friend Elizabeth, with her near-genius, analytical mind gave wide berth to murder mysteries, psychological thrillers, and horror stories, and read only romance novels. Because, by God, when a woman picked up one of those steamy books, she had a firm guarantee that there would be a Happily-Ever-After. That though the world outside those covers could bring such sorrow and disappointment and loneliness, between those covers, the world was a splendid place to be.
I wasn’t trying to invent better and better homes, but to show her that homes didn’t matter, we could live in any home, in any city, in any country, in any century, and be happy, as if the world were just what we lived in.
I'm on Grace And Frankie, which is also about that time in life, I'm realizing. But I would - so I guess I am sort of in that show. But there's something about The Golden Girls and the sort of multicam set and Bea Arthur that I just want to be around those ladies all day long, and I want to be on those comfy couches and want to sit in that kitchen in those chairs in those pastels, and I want to wear Blanche's outfits and it's just really... and I want to sit outside in that weird little courtyard.
When you find somebody you love, all the way through, and she loves you—even with your weaknesses, your flaws, everything starts to click into place. And if you can talk to her, and she listens, if she makes you laugh, and makes you think, makes you want, makes you see who you really are, and who you are is better, just better with her, you’d be crazy not to want to spend the rest of your life with her. (Carter Maguire)
My father had hammered into me, you want to look after your family, you want a nice house, and you want to be able to enjoy yourself, and you have to work very hard for those things. Don't think the world is going to come to you.
The thing that makes me most optimistic is China and India - both of them doing well. It's amazing how much progress there's been in China, and also India. Those are the places that really matter - they're half of the world's population. They're the places where things are enormously better now than they were 50 years ago. And I don't see anything that's going to stop that.
When you tell me to be good, it makes me want to be good,' I say, hearing the undisguised desire in my voice. I run my fingers through the hair at her temples, taking her face between my palms, and she doesn't move. 'It also makes me want to be very, very bad.
My mom had always wanted me to better myself. I wanted to better myself because of her. Now when the strikes started, I told her I was going to join the union and the whole movement. I told her I was going to work without pay. She said she was proud of me. (His eyes glisten. A long, long pause.) See, I told her I wanted to be with my people. If I were a company man, nobody would like me anymore. I had to belong to somebody and this was it right here.
I could distinguish the shape of her bosom, her arms, her thighs, just as I remember them now, just as now, when the Moon has become that flat, remote circle, I still look for her as soon as the first sliver appears in the sky, and the more it waxes, the more clearly I imagine I can see her, her or something of her, but only her, in a hundred, a thousand different vistas, she who makes the Moon the Moon and, whenever she is full, sets the dogs to howling all night long, and me with them.
[The Middle East conflict ] just kind of ran its course for me. For a long time I could justify doing it to myself, no matter how irrational it was. It was important to me and my work. And I just don't feel it in the same way any more. When it comes up and it's important to me, I'll do it, but more out of sense of duty than desire - which used to be a big part of it.
One of the great things about being on a show for a long period of time is watching the show evolve. A friend told me a long time ago "It should be easy" and it usually is if you're not distracted with the usual demons any creative person has. Especially with comedy because you find yourself laughing while you work.
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