A Quote by Nikki Giovanni
What's the difference between dragging a black man behind a truck in Jasper, Texas, and beating a white boy to death in Wyoming because he's gay?
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We have seen a man dragged to death in Texas simply because he was black. A young man murdered in Wyoming simply because he was gay. In the last year alone, we've seen the shootings of African Americans, Asian Americans, and Jewish children simply because of who they were. This is not the American way. We must draw the line. Without delay, we must pass the Hate Crimes Prevention Act and the Employment Non-Discrimination Act. And we should reauthorize the Violence Against Women Act.
I've never seen a sincere white man, not when it comes to helping black people. Usually things like this are done by white people to benefit themselves. The white man's primary interest is not to elevate the thinking of black people, or to waken black people, or white people either. The white man is interested in the black man only to the extent that the black man is of use to him. The white man's interest is to make money, to exploit.
The Honorable Elijah Muhammad says that the black man in America, for the past 400 years, has been like a boy in the white man's house, begging the white man for a job, for food, clothing and shelter. And then after the white man provides him with all of these things, he turns around and get - has the nerve to get angry at the white man when the white man tries to control his life.
The black man in North America was sickest of all politically. He let the white man divide him into such foolishness as considering himself a black 'Democrat,' a black 'Republican,' a black 'Conservative,' or a black 'Liberal' ...when a ten-million black vote bloc could be the deciding balance of power in American politics, because the white man's vote is almost always evenly divided.
In America, and no doubt elsewhere, we have such a tendency toward the segregation of cultural products. This is a black book, this is a gay book, this is an Asian book. It can be counterproductive both to the literary enterprise and to people's reading, because it can set up barriers. Readers may think, "Oh, I'm a straight man from Atlanta and I'm white, so I won't enjoy that book because it's by a gay black woman in Brooklyn." They're encouraged to think that, in a way, because of the categorization in the media.
Angry Black White Boy is bananas! Actually, it's a banana split with razor blades in it. Adam Mansbach is the white Richard Wright, and Angry Black White Boy is our generation's Native Son.
I've been in situations where I was 'black boy white,' or 'white boy black.' People didn't know, "Is he the whitest black person in the world or is he the blackest white person in the world?"
How do people come up with a date and a time to take life from another man? . . . Twelve white men say a black man must die, and another white man sets the date and time without consulting one black person. . . . They sentence you to death because you were at the wrong place at the wrong time, with no proof that you had anything at all to do with the crime . . . . Yet six months later they come and unlock your cage and tell you, We, us, white folks all, have decided it's time for you to die, because this is the convenient date and time.
I believe that the black-and-white photograph, or rather the gray zones in the black-and-white photograph, stand for this territory that is located between life and death.
Different identity groups hold specific levels of power over others when their battles play out in the media. To wit: Black beats white. Gay beats white. Black beats gay.
I've never tried to run away from my race. I was born a black man. You know that in your bones as soon as you are able to understand this country... My approach to life about race is, I don't see the difference between black people and white people.
I havent even been drinking, but, at all, but, you know, being a man, Ive got to say that weve got this guy in the White House who thinks he is a man, you know, who projects himself as a man because he has a certain masculinity, and he's a good old boy, and he used to drink, and he knows how to shoot a gun and how to drive a pickup truck, etcetera like that. Thats not the definition of a man, God Dammit!
To me, a poem that's in rhyme and meter is the difference between watching a film in full color and watching a film in black and white. Not that a few black and white films aren't wonderful. So are certain successful pieces of free verse.
I don't see a huge difference between the African condition and the black American condition. The only real difference is that black Americans live in the richest country on Earth surrounded by a majority white population and are almost entirely disconnected from their original culture and their God-given identity.
I can't turn around without hearing about some 'civil rights advance's White people seem to think the black man ought to be shouting 'hallelujah's Four hundred years the white man has had his foot-long knife in the black man's back — and now the white man starts to wiggle the knife out, maybe six inches! The black man's supposed to be grateful? Why, if the white man jerked the knife out, it's still going to leave a scar!
You don't think it was because a white man wrote it, a black man wrote it, a green man wrote it. What - doesn't make a difference! Doesn't make a difference. I think he did a good job.
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