A Quote by Nikki Glaser

The more you work in this business as a comedian, the closer you get to just being yourself onstage, on camera, the more well received you are. — © Nikki Glaser
The more you work in this business as a comedian, the closer you get to just being yourself onstage, on camera, the more well received you are.
I had prepared myself for the second half of my life [to be] filled with other passions that don't include being in front of the camera. And then all of a sudden I got more work and more work and more work. And I went, "Well maybe things have shifted." And I think they have.
The nature of the business is that, once you start proving yourself and the more roles you get, the more exciting the roles that you're able to go out and do auditions for, or that you're being offered, get. You have more choices.
To have an opportunity to get in front of a camera every single day is just priceless because it gets you closer and closer to being less self-consciousness in front of it and really being human and really making choices and standing by them.
think people get scared that they’re not going to be able to do it perfectly - they’re going to be criticized - they’re going to be like, “Well, I’m not totally green.” Well, you know what? At this point we don’t care... Just a shade of green is enough right now. Move a little bit closer towards this. Because the more people start moving closer and closer to it, that’s something that collectively makes a difference.
The closer you can get to being personal, the better the work is, or the more interesting the work is.
I would like to see more films being made with people of color behind the camera and in front of the camera, because the more times at bat we have, the better we get.
What I get on a yoga mat, and from a yoga teacher, has been more beneficial onstage than any other workshop I've ever done. And it starts with that breath; it starts with getting out of my head and really just slowing the system down and being in a true present moment with each and every breath. That then allows me to be a more balanced and focused individual onstage.
The more I work, the more I see things differently, that is, everything gains in grandeur every day, becomes more and more unknown, more and more beautiful. The closer I come, the grander it is, the more remote it is.
Making a success in show business is like getting a big promotion on a job. You get more prestige, more authority, more money - and you also get longer hours, more work, and more responsibility. It evens out.
I think the theater work and the on-camera work feed off each other. My theater work has become more simple, and my on-camera work has become more energized or more spontaneous.
I just feel that I enjoy the work more than I ever have... or just as much certainly... I enjoy making films behind the camera equally to making them in front of the camera on all those years. I just enjoy it, that's all. I've been lucky enough to work in a profession that I have really liked and so I figured I'd just continue until someone hits me over the head and says "get out".
I never thought much about success early on. I only thought about being a comedian - or just being in show business, is really more accurate.
Well, I see myself in the same business but a lot more successful and doing more movies maybe behind the camera. I plan to do some growing in this industry and take it as far as I can.
What is the art experience about? Really, I'm not interested in making Art at all. I never, ever, think about it. To say the word Art, it's almost like a curse on art. I do know that I want to try to get closer to myself. The older I get, the more indications I have about what it is to get closer to yourself. You try less hard. I just want to be.
You have to realize, when you're a comedian, that you have to have a thick skin. And trust me, being onstage in front of people is already difficult enough. Somebody's personal attack in an email is not as hard as getting onstage.
When you're doing a play, you're onstage, there's no stopping or starting, there's no stopping to reposition for the camera or have a check done. You're there 'till the end of the show. What that gives you is a great gift, which is to command the audience, and you get to play with your script and your fellow actors. Every night, it's different. Hopefully it goes well and you get a great response. But the technique that you have to have on film or television is so delicate. It's fine-tuning. That is very different from being onstage, but they both have important skill sets.
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