A Quote by Nikki Glaser
I've talked about my relationship without consulting my boyfriend about whether or not he wants that talked about, and I've also taken a story that has happened with us and, for comedic purposes, exaggerated it or changed it in some way that made him look not great.
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The interesting thing was we never talked about pottery. Bernard [Leach] talked about social issues; he talked about the world political situation, he talked about the economy, he talked about all kinds of things.
Some of my other stories are talked about as fantasy, some as horror, and some aren't talked about as genre at all. And the same story will be labeled differently depending on country.
When I began to think deeply about the metaphysics of love I talked with everyone around me about it. I talked to large audiences and even had wee one-on-one conversations with children about the way they think about love. I talked about love in every state, everywhere I traveled.
We [me and Jennifer Salke] talked about the characters and different kinds of families and where are we today. We certainly pitched the gay couple, but we also talked about what it was like to be a single mother with a young daughter, what is it like to be a woman in your 50's who is completely starting over and dating again and having to go online to date again. We talked about the whole spectrum of the characters, but I don't think it ever came up about whether people are ready for it or not.
Fidel Castro just talked a long time, and he talked and he talked and he talked and he talked... and he talked during the meeting. I think it was about four hours. But I guess that's part of the Castro spirit.
When we talked, I talked about me, you talked about you, when we should have talked about each other.
[Bernard Leach] talked about painting, but we never talked about ceramics in that evening. But at the end of the evening he said to us, "Well," he said, "I've changed my mind, and if you want, you can come back a year from now and apprentice in the workshop."
Way back in the '70s, I was approached to talk about the story I'd write for a Spider-Man movie. They also talked to me about Batman. I had to think about it, but that was way, way back when.
During the campaign [Donald Trump] talked about reaching out to African- American voters in particular. He talked about inner cities in a way that did offend some people. Lot of Democrats. Some African- Americans of saying what have you got to lose.
I read the story and reread the story, but I still could not find the universality that the little Irishman had spoken of. All I saw in the story was some Irishmen meeting in a room and talking politics. What had that to do with America, especially with my people? It was not until years later that I saw what he meant ... I began to listen, to listen closely to how they talked about their heroes, to how they talked about the dead and how great the dead had once been. I heard it everywhere.
When you are honest in your comedy, you have to acknowledge the world that you're in. Through a comedic voice you're talking about what needs to be talked about, whether it's race relations or politics or anything that's happening on a global or an American scale.
When you are honest in your comedy, you have to acknowledge the world that you're in. Through a comedic voice, you're talking about what needs to be talked about, whether it's race relations or politics or anything that's happening on a global or an American scale.
I loved that these two guys argued with each other as if movies actually mattered. Nobody I knew talked about movies that way, but Siskel and Ebert took each movie as it came and talked about whether it was a success on its own terms.
It's really important to have role models, and a lot of the ancients always talked about this. Seneca talked about this, Aristotle talked about this, and in fact, this was my boxing coach's philosophy in college, was that you have to have role models.
My father, unusually for a PoW, talked about his experiences, but he talked about them in a very limited way.
Some visual artworks are made to be talked about more than to be seen, others are made to be seen more than to be talked about. I think I belong in the latter category.
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