A Quote by Nikki Glaser

When I did 'Nikki and Sara Live,' I think a lot of the comedy got lost because we were always so worried about how we looked, and so was the network. — © Nikki Glaser
When I did 'Nikki and Sara Live,' I think a lot of the comedy got lost because we were always so worried about how we looked, and so was the network.
I'm worried about losing my hair. I think if I lost my hair, I'd lose a lot of parts. And I don't want to get fat. I'm always worried about that.
I can’t—” Lena repeated. “I can’t do it. I can’t live without him.” Sara gently pulled her hand away from Jared’s. She smoothed down the sheet, tucked it in close around his side. She looked at Lena—really looked at her straight in the eye. “Good,” Sara told her. “Now you know how it feels.
I don't think we were shy so much as we were terrified. Especially when we did 'Saturday Night Live' on live TV. We looked really animatronic because we were scared, but it came off as being this alien sort of attitude, which served us well, because people were like, 'Whoa, this is so weird.'
I guess I lost my way, there were so many roads. I was living to run, and running to live, never worried about paying or even how much I owed.
I will say you could always look at 'Looney Tunes' and learn about writing. I think you can learn a lot about the beats of comedy. I think you can find out about awkward pauses, because I think they did those well.
I've had so many horrible things happen in my life since I did 'Home Improvement' that it's worried me about doing comedy because - how do I say this - I'm a much darker person than I was.
You've got to be in the moment, especially in the playoffs. If you're worried about the past, worried about what happened last game, that's a lost cause.
Voice actors I used to know who were starting out in comedy were guys who did a lot of voices. They were usually comedy actors who developed their comedy by doing tons of impressions and voices that were usually very funny. And I never did any of that, so that's, I guess, why I don't consider myself a voice actor.
The first time I punched in my name and saw how many sites there were, I thought, that's scary. I got too involved where I got worried and panicked and tried to stop it. But you know what, if I just let it go and not worry about it, then it will be fine. Because it's all about how it makes me feel and I was letting it get to me.
Because that was what you did with family when you'd been worried about them, you grabbed them and held on to them and told them how much they'd pissed you off, and it was okay, because no matter how angry you got, they still belonged to you.
In 1990, when we started the Black Community Crusade for Children, we were always talking about all children, but we paid particular attention to children who were not white, who were poor, who were disabled, and who were the most vulnerable.Parents didn't think their children would live to adulthood, and the children didn't think they were going to live to adulthood. That's when we started our first gun-violence campaign. We've lost 17 times more young black people to gun violence since 1968 than we lost in all the lynching in slavery.
I’m a screwed-up person who no longer knows how to communicate with the people I love. But I meant everything I told you in my letter. If I were your Nikki, I would have come back to you on Christmas Day, but I’m not Nikki. I know. And I’m sorry.
My wife and I were talking about '90210,' and we were kind of joking around about how many girls I've kissed on the show, and we got lost at, like, 25. That's a lot! I can't say that I haven't enjoyed most of them.
I was doing stand up comedy when I was 11, that's how I got started; not because I wanted to do comedy, but because we were broke, living in Echo Park in Downtown Los Angeles, from 1986, I saw the Rodney King riots; my parents didn't really work. But I wanted a new backpack, that's how I got into this business - I wanted a new backpack.
I was a big athlete, but I think a lot of the things I did were because they were my false identity, if you will. They got me acceptance, and they got me that attention that I craved.
That was how we categorised ourselves in the dressing room - you were either a nerd or a Julio. Julios have got to look perfect - the hair has got to be perfect, they've got to have the right gear on, it's all about their appearance. The nerds weren't bothered about how they looked.
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