A Quote by Nikki Grimes

When I think of the Harlem Renaissance, I think of bright colors, and bold, dynamic art. African American artists of the period were, in large measure, breaking out of the constrictions white society had set for them. They were claiming and remaking their own images, and doing so in bold and striking ways.
When I was 17, I worked in a mentoring program in Harlem designed to improve the community. That's when I first gained an appreciation of the Harlem Renaissance, a time when African-Americans rose to prominence in American culture. For the first time, they were taken seriously as artists, musicians, writers, athletes, and as political thinkers.
You have to understand being an actress, and being an African American actress of a certain hue, I think that you have to be bold with your choices. Even when you're not bold with your choices, have people see it as bold.
I think people always want to hear that there are barriers that exist for us. But the more I started to realize artists that are kind of like me in my lane, like, if they were white or African-American, they often had trouble because it wasn't the quality of their music: they just didn't stick out.
Most women don't think to wear bold lip colors, which is just all the more reason to dig out those lipliners and lip colors and put them on.
Renaissance man, woman, either way it's a worthy pursuit! Like the painters of Emilia's day, I was raised in an environment that encouraged creative expression. Both my parents were artists, who didn't think much of TV and refused to upgrade our old black and white set. To entertain myself, I made art and wrote puppet shows.
Norman Rockwell spent his career painting pictures that helped people understand their own feelings...pictures that enriched their own experiences and celebrated their own lives. But the art establishment branded him an 'illustrator', a sentimental one at that. Real artists, they said were doing art for art's sake, not for the sake of the bourgeois public. Real artists were putting swiggles, smears or daubs of paint on the canvas. They were doing 'innovative' and 'creative' work. If they were hideous and grotesque; we know that's what life really is!
I paved the way for a lot of white artists now that don’t have to deal with the stigma of being a white artist. I don’t think that people would be as open for non-African American artists like that if it I didn’t take a lot of the slack for them.
She feels like kicking out all the windows And setting fire to this life She could change everything about her using colors bold and bright But all the colors mix together - to grey
The one thing that I think separates Microsoft from a lot of other people is we make bold bets. We're persistent about them, but we make them. A lot of people won't make a bold bet. A bold bet doesn't assure you of winning, but if you make no bold bets you can't continue to succeed. Our industry doesn't allow you to rest on your laurels forever. I mean, you can milk any great idea. Any idea that turns out to be truly great can be harvested for tens of years. On the other hand, if you want to continue to be great, you've got to bet on new things, big, bold bets.
We had fashion errors that became hits. We were bold with our colors and tights and being very sexy and the assymmetrical hairstyle.
We think the Puritans always dressed in black and white, which they didn't. They loved very bright colors. And there were other differences in perceptions that gave one a very different view of them.
Like anyone else in television, I like to explore my life experience. And I don't think African-American artists see doing shows or art about African-Americans as something 'less than.' I think maybe the industry sometimes does. We don't get as much attention, we don't get critical acclaim and so on.
For me, the bold jazz of John Coltrane and Miles Davis reflected the bold attitude in African-Americans finding their political identity and voice.
Before I started LimoLand, I mainly bought my clothes in Harlem, where I found clothing my size in fun colors. I still like to go there and see the vibrancy and colors of the neighborhood. I am also very influenced by the colors of my contemporary African and Japanese art collections.
I think we have to get beyond the idea that we have to categorize people. We can now have action movies with two stars where one might be African American and one might be Asian American. One of them doesn't have to be white, and the other one doesn't have to be the ethnic sidekick. We're way over that. And I think it's happening in society, too.
I think there are white alumni out there who wouldn't mind having an African American president of their school, but would be reluctant to have an African American coach, because he represents the school so. I think it's just sheer backward racism.
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