A Quote by Nikki Haley

People ask the question, 'If you're offered VP, would you take it?' No, I won't take it. — © Nikki Haley
People ask the question, 'If you're offered VP, would you take it?' No, I won't take it.
Constraint theory argues a number of things. First, that the impossible has to be identified. Second, that the actor is then constrained by circumstances to act a certain way. For example, should we invade ISIS? Can we invade ISIS? What would it take to invade ISIS? Once you ask that question you discover the price of that option and then you take a look at American politics and see that the country is probably not prepared to invest the 2 to 3 million people that it would take to defeat ISIS and the insurgency afterwards. All right, so that's not going to happen.
If you go to Atlanta, the first question people ask you is, "What's your business?" In Macon they ask, "Where do you go to church?" In Augusta they ask your grandmother's maiden name. But in Savannah the first question people ask you is "What would you like to drink?"
Never take what's offered, always ask for more.
The funny thing is, when I ask people with dark skin if they would change their color, they tell me no, and when I ask women if they would rather be men, they tell me no, and I get the same response when I ask people with unusual anatomies if they would take a magic pill to erase their unusual features.
To ask people's permission to take their pictures? Sometimes it feels right to ask, but I will not ask, unless it is essential to do so. If you asked all the time, you would miss everything. With the exception of portraits, it is generally bad news if people are looking at the camera.
Walter Plinge said: "You know she asked me a very silly question Mrs Ogg! It was a silly question any fool knows the answer!" "Oh, yes," said Nanny. "About houses on fire, I expect..." "Yes! What would I take out of our house if it was on fire!" "I expect you were a good boy and said you'd take your mum," said Nanny. "No! My mum would take herself!" "What would you take out then, Walter?" Nanny said. "The fire!
"I was just offered a contract on your life, for enough money to make it worth my while." It was my turn to be quiet. "Did you take it?" "Would I be calling you if I had?" "Maybe," I said. He laughed. "True, but I'm not going to take it." "Why not?" "Friendship." "Try again," I said. "I figure I'll get to kill more people guarding you. If I take the contract, I only get to kill you." "Comforting."
When you are born into a body that takes the image of another, you ask yourself a question much like the famous 'chicken and egg' conundrum. Do you take the form of he, or does he take the form of you?
I was offered a series by John Carpenter after I did the movie 'Christine,' and I would've been a leading man after that. I would have played a private investigator. And I was offered a great deal - I would be involved in the direction, casting, everything, and whatever. It was whatever an actor wants, and I didn't take it.
When I used to do the action scenes, I would have to play it rough. If you hit an actress accidentally, she would usually take it on the chin and say, `Don't do that again.' But with the guys, they would put ice on it, take a 20-minute break and ask for x-rays. It was unbelievable.
And one day we must ask the question, "Why are there forty million poor people in America?" And when you begin to ask that question, you are raising questions about the economic system, about a broader distribution of wealth. When you ask that question, you begin to question the capitalistic economy.
I wish I could take language And fold it like cool, moist rags. I would lay words on your forehead. I would wrap words on your wrists. 'There, there,' my words would say - Or something better. I would ask them to murmur, 'Hush' and 'Shh, shhh, it's all right.' I would ask them to hold you all night. I wish I could take language And daub and soothe and cool Where fever blisters and burns, Where fever turns yourself against you. I wish I could take language And heal the words that were the wounds You have no names for.
Two big questions that people ask me are: if we make these robots more and more human-like, will we accept them - will they need rights eventually? And the other question people ask me is, will they want to take over?
Every job that you take, the term that you should always include is, 'How can I be involved in the strategic projects that are critical to the future of the company?' You ask that question. It's a great 'how' question.
If you want to find what God put you here to do, ask yourself three questions. First question: What comes easy to you but harder to other people? The second question is: What would you do for years and never have to get paid for it? Third, ask yourself: How can you be of service?
I cannot take every case that people ask me to take.
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