A Quote by Nikki Sixx
Anybody I'm in a band with can do what they do better than me. I'm a huge believer that I can play bass or whatever I bring to the table - producing, songwriting, orchestrating - and I can look at the other guys and say, "He's got that, he's got this, and I have this." It's a team thing.
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When I play with the full band, you get to be larger than life, you feel larger than life, and that particular moment in the song where there's passion, you've got nine guys behind you, all driving that sound and that feeling with you. That's like surfing a huge wave, because once you start you really can't stop it, you got it going down a huge mountain.
I didn't want my records to sound like anybody else, and when I've got my guys in the studio, I have a language with those guys because we work together every day. A lot of times, you bring in outside guys, studio players, whatever, and they're great musicians. It's just that they don't necessarily play the way I want it to be played.
I think I'm better at producing than I am at being a songwriter, but it doesn't change the fact that I still have a desire to play and write songs. I've never wanted to be a career musician. But I still love to play and write. It's a big part of who I am. Songwriting is not particularly easy for me. I think it would be easy for me if I didn't have such high restrictions and feelings about what I want my music to be. I'm not precious at all when it comes to producing music and I can bring that to an artist and let them expand their horizons.
It's too easy when you're not winning to look for excuses and point at others for reasons. You ca say 'Oh well, it's this guys fault or they don't do this well', or you can say 'I've got to play better and contribute more'. You've got to find another gear and come up with big games.
My first instrument was bass, and the first thing that I remember learning to play that was better than a few notes was Fleetwood Mac's 'The Chain.' If you're the guy who penned that bass riff, then you should probably be in some sort of fantasy band.
My dad taught me to play bass. He's a bass player; he still plays in a band in Michigan to this day. He taught me to play bass when I was about 6. I used to just go to band practice with him, and whoever didn't show up for rehearsal that day, I would take their spot.
My favorite guitar now is my Martin HD-7 because it's got everything. It's got the jingle-jangle thing from the twelve string, it's got the flexibility of the six string, and the bass notes where you can do bass runs and that sort of thing.
In high school no guys wanted to be in a band with me unless I was going to play bass or play grindcore or be in a scream-o band, so it was fun to finally have that experience of having my songs backed by a drummer and a bassist who were just as excited about it as I was.
You gotta know that you're better than anybody, 'cause to me, if you don't go in like that, you're gonna lose! They're gonna punk you out! On any stage, court, business venture, on the anchor desk - whatever. You've got to go in believing, 'I can do this better than anybody.'
One of my direct subordinates, one of my guys that worked for me, he would call me up or pull me aside with some major problem, some issue that was going on. And he'd say, 'Boss, we've got this, and that, and the other thing.' And I'd look at him and I'd say, 'Good.'
I don't look at my instrument as having one specific role; I was raised to go as far as you can. But Raphael Saadiq hated my bass. He told me to throw it away. And playing in Snoop's band, there was a time when my bass was more annoying to everyone than helpful. They would get on my case: 'Can you make your bass sound like more of a bass?'
If you're using live bass versus orchestral bass, you've got to make sure that you're not stepping on the toes of the other elements, so you've got to balance it out.
This game in a lot of ways, isn't that complex. You bring energy to the table and you've got a chance. You bring fundamentals to the table and you've got a chance. It's not always about scheme and all that magic-behind-the-curtain stuff.
Right now, we're not a team. I think we're genuinely happy for each other when we're out there on the court. We've got to find new and different ways to support each other on the floor. The comfort zone that we've been in, we've got to change it a little bit. Everybody has onus on this team. It's easy for someone to say, 'I play only 10 minutes a game, so they're not talking about me.' But that 10 minutes is just as important.
I used to play bass for a while and got to the point where I was good enough to be in a shitty band.
I guess anybody who plays can say that they play guitar, but if you want to be a guitarist, you've got to practice all the time and you've got to get good at it. It's more than just having one and playing it.
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