A Quote by Nikki Sixx

I love a little distortion across the bass; I think it kind of adds something to the sound of the band when the bass is a little overdriven. — © Nikki Sixx
I love a little distortion across the bass; I think it kind of adds something to the sound of the band when the bass is a little overdriven.
I don't look at my instrument as having one specific role; I was raised to go as far as you can. But Raphael Saadiq hated my bass. He told me to throw it away. And playing in Snoop's band, there was a time when my bass was more annoying to everyone than helpful. They would get on my case: 'Can you make your bass sound like more of a bass?'
I need a little bass and I don't even need that crazy bass to break your face. I just want it to sound good when I have my favorite song.
I often use a return channel to get some shape out of the bass. It's a good way to split the frequencies of the bass so that the sub bass is clean and in mono and the higher end of the bass sound can be filtered off - have it on an audio channel and that's where you can use effects.
The bass, no matter what kind of music you're playing, it just enhances the sound and makes everything sound more beautiful and full. When the bass stops, the bottom kind of drops out of everything.
In 1972, I got my first electric bass and started playing the kind of instrument I play now. I found that the majority of musicians couldn't bear that. They are not used to listening to the bass because they think the bass is in the background to support them.
I'm interested in creating a little sound world for songs, really crafting it, building it, and making it like a little doll's house with little things inside it, staircases and rooms and everything kind of relates to everything else. I've never seen it as drums, bass, guitar and vocals in very separate spaces.
My dad taught me to play bass. He's a bass player; he still plays in a band in Michigan to this day. He taught me to play bass when I was about 6. I used to just go to band practice with him, and whoever didn't show up for rehearsal that day, I would take their spot.
Later in high school, I met Hillel Slovak, who was the original guitar player of the Chili Peppers, and we became really close. We had a band, and we didn't like the bass player, so I started playing bass, and I got a bass two weeks later.
It's really hard for me to sing and play bass. Unless you're singing something that's kind of in rhythm with the bass, the melodies, it's just difficult.
At the time, I didn't know that bass would not be enough for me. I'm not a bass player because bass is always a background instrument even to this very day.
Ben was more improvisational, and relied less on methodology, and basically is a guitarist who switched to bass, whereas Jeff has a more traditional approach to playing bass in a band, and has a great sense of what his band sounds like, and we lock up nicely.
A bass should sound like a bass with the thump of the finger against the wood, like it began with stand up.
I'd love to play bass with Parliament Funkadelic, but I can't play bass, so I don't think that's going to happen.
Without getting real personal, we liked our bass player Ed. He was a great guy and he was a good bass player but his playing was suited for a different style of band.
One of my all-time favourite guitarists is, in fact, a bassist - John Entwistle from The Who. He's one of my all-time favourites, the way he kind of expanded. I mean, he could have been a lead guitarist and been one of the best guitarists in the world. He wasn't even bass player; he was a bass guitarist, and he took the bass to another level.
There's something about rhythm and bass sections generally, how the bass and drums interact, that's basically the soul of any song.
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