A Quote by Nikki Sixx

It's physically very, very, very trying to be onstage as a performer, not unlike an athlete, for thirty years. — © Nikki Sixx
It's physically very, very, very trying to be onstage as a performer, not unlike an athlete, for thirty years.
In all these years of doing theatre, I've been a very physical performer - physically demonstrative, yet sticking to the realism of the piece.
Thirty-five is a very attractive age. London society is full of women of the very highest birth who have, of their own free choice, remained thirty-five for years.
I don't get to do a lot of fight scenes on 'Sanctuary,' but I'm a trained fighter; I've been doing martial arts for years and, you know, I'm very active physically; I used to be a circus performer.
I physically feel very fit. I’m very motivated to keep on playing on a very high level. I’m going to try to use these years in front of me to fight for the number one of the world and fight for the biggest titles.
It is within the last quarter century or thirty years. And a lot of that law has turned out to be very, very protective of the press and the public's right to know.
I'm just trying to get my body in shape so that I can handle it. It's a very physically demanding thing. I've been doing it for 16 years, so I know what I'm going into now. I'm trying to stay calm and not panic.
When I get onstage in a play, I feel very safe, very protected, very fulfilled.
I'm a performer. I push the envelope, I work in a very uncontrolled manner onstage. I do a lot of free association, it's spontaneous, I go into character.
I think it's very common that scientists or technical people have an artistic side. Sometimes they are very accomplished musicians. Sometimes they have very fine tastes according to art or design. And often, they've spent a big chunk of their childhood or they're growing-up years trying to get in very good at those activities.
Often if you are very, very close with someone, sometimes it does not read. In effect, your dynamic onstage is defused. You share too much onstage. There's sort of a blurring of behavior that doesn't read to the audience as chemistry.
'Medea' is an enormous challenge for an actor physically, mentally, emotionally. You have to dig very, very deep, and to work, your performance has to be very personal.
So the - the part of the problem is not just the rhetoric. It's the fact that we - we're so polarized in what we've done to each other as parties over the last thirty years in redistricting that it's very, very hard to overcome your own constituencies and move to the middle.
I'm always trying to be the best, on and off the pitch, is also very important. I've always taken things very seriously, since I was very young, and that's reflected in my career. Always being nominated, winning trophies for the club or individual awards, that's the culmination of many years of dedication, hard work and professionalism and that makes me very happy.
To try to be a professional athlete and work out when you're not sleeping right, you're traveling day to day, not to mention the bumps and bruises in the ring, and you're trying to eat right - it's a very, very challenging job.
Being onstage is a way of harnessing your vulnerability and using the adrenaline to be creative. It's a very vulnerable place to be - technically, emotionally, and physically - but I love it.
Life expectancy in many parts of Africa can be something around the age of thirty five to thirty eight. I mean you're very fortunate if you live to that age. In fact when I went to Uganda for the first time one of the things that occurred to me was that I saw very few elderly people.
This site uses cookies to ensure you get the best experience. More info...
Got it!