A Quote by Nikki Sixx
The industry needs to be run by artists, because we are the only people that care about art.
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There won't ever be a mass-market record industry again, and that's fine with me because that industry didn't operate for the benefit of the musicians or the audience, the only classes of people I care about.
Hollywood used to be run by artists and people who loved artists... people who wanted to make movies for all the right reasons. For the love. The Art. To tell stories. Yes to make money as well, but it was about both. Now I feel, it's mostly about bottom line and making money.
I think we've created a system here where only the lifelong politicians, who are used to this kind of life in the spotlight and don't care, or people who have egos along the lines of Donald Trump - who just don't care what people say about them - they're the only people who are ever going to run because nobody wants their life dissected as meanly and as randomly as our media has come to do with anybody who runs for office.
I don't have to worry about what people are thinking and what's going on in the industry. I don't want that stuff to influence what I'm doing. Because I think it stifles you creatively. I don't want to have to care too much about that. All I care about is what the fans think. It's really all I care about, honestly.
In the industry, artists of of color struggle the most. Caucasian artists have really solidified themselves in the industry, and with African Americans now we see directors and producers who vow to only produce work that shines a light on African American artists. But everybody in the middle gets lost.
I love knowing and learning about people around the world displaying my art online. Also, it's how I learn about new artists that are in various parts of the world. The positive thing about Tumblr and Instagram is that they're a fantastic platform for art lovers. I also like, when I search for my art and it says, "see also or related artists," and I see those other artists that relate to me, at least according to the internet. I think it's fascinating - it's interesting to see hashtags people are using in relation to my work. It's another tool of communication.
If we can do something to help show people that it's not only OK - we encourage asking for help, because we take care of everybody's physical needs all over the place, we should all be on top of all of our mental needs and wellness needs.
There are so many rules in the art world. I don't like rules and I break them all the time. I don't care if people think I'm overexposed. What I care about is if I'm going to run out of energy. Overexposure is only a problem if you are drained of energy and cannot come up with new ideas. Every artist has to recognize that and know when to stop for a moment.
I suffered initially because I think most of the people working in the industry only care about themselves. They are not interested in helping anyone as that may boomerang on them someday.
As artists, when you have people that care about what you do, I think you should care about those people who care about what you do, and give them really cool interactive experiences to make them feel appreciated.
The dream of the news is that it makes us care about other people and situations. But we cannot identify with people to whom we haven't been introduced. Humans will only respond to art, to people who are skilled in making you care.
When we talk about contemporary art and contemporary artists, we usually imagine artists who are alive. But I feel very uncomfortable about placing a border between living artists and dead artists.
Populism in contemporary art can become a dirty word. There is this notion that to not be understood is a reflection of depth. I'm sure this is true in some cases, but on the whole I can't accept this as a vision of art. There's something so cynical about assuming your audience is unintelligent or that artists shouldn't care about their viewers.
Piracy is important to talk about. It's harming the music industry. It hurts all of us. The public needs to understand every time they buy a pirated CD, they hurt the industry. The only ones who can change that are the fans and the people that buy CDs. It's everybody's responsibility to prevent it.
There is a good deal of art that in some traditions of conceptual work are anti-affect, in fact a very large chunk of mainstream art after 1950 took against affect art altogether because they said, "No, we hate affect art because this is how we get manipulated by totalitarianism and therefore artists shouldn't play that game." And a lot of artists agreed to play that game, which I personally believe is to the loss of art.
Serious art has been the work of individual artists whose art has had nothing to do with 'style' because they were not in the least connected with the style or the needs of the masses. Their works arose rather in defiance of their times.
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