A Quote by Nikki Sixx

I remember Iggy and the Stooges' song 'Search and Destroy' reaching out from my speakers to me like my own personal anthem. — © Nikki Sixx
I remember Iggy and the Stooges' song 'Search and Destroy' reaching out from my speakers to me like my own personal anthem.
When "Search and Destroy" by the Stooges came on as a Nike shoe commercial, I got physically sick. That song meant the world to me, and I didn't feel this was the way it ought to be used.
If you can keep something very personal, like a song, like a color, like a story, deep in your heart, then nobody can destroy that. Nobody can destroy your imagination; nobody can destroy your love.
But once you've made a song and you put it out there, you don't own it anymore. The public own it. It's their song. It might be their song that they wake up to, or their song they have a shower to, or their song that they drive home to or their song they cry to, scream to, have babies to, have weddings to - like, it isn't your song anymore.
Even as a fan, as someone who's into his performances, the Stooges and his own stuff, Iggy [Pop] is one of the people who kept underlining something that a lot of my older musician friends with punk roots say: you get into this space in your life where you feel like a weirdo, you're marginalised, you don't fit in... and then you can get up on stage in front of people who probably hate you.
I remember being at the premiere of 'Beverly Hills Cop II' and the tremendous reaction from the crowd outside, then going to a party at a hotel afterwards where the speakers were blasting 'Shakedown,' a song from the movie. That felt like a show biz moment to me.
I had so much backlash because, before in NXT, I used to come out with the Bulgarian national anthem. And people were like, 'Oh, why are you embarrassing the anthem?' How am I embarrassing the anthem? I'm from the freaking country.
I mean Iggy and The Stooges first couple of albums I think sold twenty five thousand between the two of them you know and so to talk in terms of an underground I mean you have to go really to the independent labels and things like that.
I want to do it too!" (sitting motionless) Nudge: "Nope, you stand out like a fart in a church." Max: (muttering) "Appropriately enough." Iggy: "What about me?" (stands still) Max: "No, you're visible." Iggy: "Am not!" Max: (throws a pinecone at him) "Could I do that if I wouldn't see you?
I'm always blowing the speakers out in studios, like, there's smoke coming out of them. I found out that I'm not built for studio monitors. I record and mix down everything in the headphones and then I bring it to the speakers.
I do my best to make music spontaneously. It's very personal in a way. It's really a direct connection between me and anyone who's watching. I don't want to be in my own bubble. I'm reaching out.
'Stay With Me,' for me, is my own personal anthem to the 'walk of shame...' that we've all gone through. It's the feeling after a one-night stand of not wanting that person to leave, even if you don't love them and don't even like them. It's about having that body next to you.
Iggy Pop is legendary - he is awesome - and I am a massive Bruce Springsteen fan. His song 'Cautious Man' is my favourite song. It's really poignant, dark, and moody, like myself.
As I've gotten older, I've realized the element that sounds like The Gaslight Anthem that's mine is always going to be me. The other three-fourths of it is going to be the other guys. I can't stop doing what I do naturally, whether I'm in The Gaslight Anthem or my own thing.
I think I was six when I discovered the song "White Wedding" by Billy Idol, and that was the first time I thought I had discovered something on my own. It's the first song I remember hearing and liking without anyone telling me to like it.
A lot of Republicans are white Christians, but the Republican Party is reaching out to Hispanics, and reaching out to blacks, and reaching out to Asians.
I remember writing a song when I was about 15. This is the one I can remember. I know I'd been writing poetry for a long time, since I was about eight, but I remember my first one that I put to chords. I was really trying to be like the psychedelic era Beatles, I was obsessed. All I could think about was Beatles and Hendrix. So I tried to write a psychedelic song, and it was the worst. I couldn't even... If I read it now - I still have the book somewhere - it makes me cringe out loud. It was just about psychedelic stuff.
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