A Quote by Nikki Sixx

Sometimes when people can't speak English, they hum the melody instead of singing along. Having 20,000 people humming your song is incredible. — © Nikki Sixx
Sometimes when people can't speak English, they hum the melody instead of singing along. Having 20,000 people humming your song is incredible.
There is nothing like singing a song that 20,000 people know and are singing back to you.
You always will be singing a song or humming a line or a melody.
It's so incredible performing in front of 10,000-15,000 people singing along and giving off great energy.
Singing is a way of releasing an emotion that you sometimes can't portray when you're acting. And music moves your soul, so music is the source of the most intense emotions you can feel. When you hear a song and you're acting it's incredible. But when you're singing a song and you're acting it's even more incredible.
Melody always comes to me first before words - cadence and melody. When you're humming the melody and it's incredible and words start coming out it can build into something special.
I don't really have a set-in-stone process or formula. Sometimes the melody is there and I have to chase down the lyrics. Sometimes, the song is there and I have to make the melody fit. What I've learned so far about songwriting is that I can't force a song. If I try to do that, it's hollow, and people know a hollow song when they hear it. It's the song they stop listening to and forget about. I'd prefer not to write those kinds of songs.
It's not the coolest thing in the world to be walking around humming the Taylor Swift song. It's not as cool to be singing along with the number one song in the country as it is to be the jaded, indifferent hipster who wants to turn you on to something that nobody else is talking about.
Usually it's lyric first, but sometimes it's melody. And I carry a hand-held recorder everywhere I go so I can just hum or whistle a melody if one hits me. Sometimes it's both simultaneously - lyric and melody at the same time - those are a little confusing to me, but sometimes it comes in that form. I just feel like I have my own little radio station and sometimes the static clears and something beams in from out there.
I went for a warm-up and got called back and the fans started singing my name when I was sat on the bench. I thought: 'Oh my god. There are 25,000 people in the ground and there are around 1,000 Swindon fans singing a 20-year-old's name that has just been working on a building site.'
When I'm sitting in the church alone, I can hear singing of the old people. I can hear their singing and I can hear their praying, and sometimes I hum one of their songs.
I get a little teary on stage sometimes. It can be really emotional when it dawns on you that people are singing along and having fun.
Sometimes melody and sometimes lyrics. It depends on the tempo and feel of the song. Slower pieces usually begin with melody and faster ones with lyrics. I write for the song and it leads me to my conclusion.
There's a convention in English stuff that if something is more than 100 years old, people have to say 'do not' instead of 'don't. They have to say 'will not' instead of 'won't.' People are speaking in a way that is not accessible or normal. And people didn't ever speak like that.
Each person who ever was or is or will be has a song. It isn't a song that anybody else wrote. It has its own melody, it has its own words. Very few people get to sing their song. Most of us fear that we cannot do it justice with our voices, or that our words are too foolish or too honest, or too odd. So people live their song instead.
Personal relationships are usually my biggest inspirations for writing my songs. The best way for me to write a song is to visualise the story in my head, and I start humming a melody, and before you know it, a song is born.
The buzz you get when you're playing a song and everyone is screaming and dancing and what have you and singing along is incredible.
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