A Quote by Niklas Zennstrom

Some Internet operators are concerned that video services such as Netflix and YouTube consume lots of the bandwidth on the network. While there is some truth to this, my guess is that the operators wished they could provide the same kind of services with the same success as Netflix and YouTube.
Video is growing very quickly on Facebook. A lot of people compare that to YouTube. I think that kind of makes sense. YouTube isn't the only video service, but I think it's the biggest, and it probably makes more sense to compare Facebook video to YouTube rather than Netflix because that's a completely different kind of content.
We know that ATT is upgrading their TCI network to provide voice services, but we believe that upgrade will go beyond that, for total interactivity at very reliable rates. Video telephone calls, downloading music videos, television broadcasts, online newspapers - all of this would be in digital mode. I think they certainly intend to be the one-stop shop and once they do that, it will force the other multiple system operators to follow suit.
If [YouTube] were to switch to Theora and maintain even a semblance of the current YouTube quality it would take up most available bandwidth across the internet.
For me it's all just one big online world. Everyone has a favorite social network, and some people like YouTube more than Facebook or Twitter. But I make sure that when I post a new YouTube video, I post it on Facebook, and I tweet about it.
I never understood how, when if so many businesses can make a profit delivering services and products to state education, you could not take it further and allow for-profit operators to run some schools. Most people care about good outcomes, not whether something is for-profit or not.
I'm excited when any Netflix show comes out. I'm like, 'Yeah, Netflix! Doin' great! We're all on the same side.'
We all consume Netflix and other streaming services in different ways. Sometimes, it's a movie you're really going to focus on; other times, it's background noise to something else, where you won't really pay attention.
And understand that scarce spectrum is used today for example for cell phone operators, they have to pay for the airwaves they use, for their services.
Countries like France should not be naive. We don't have a French YouTube or Amazon or Netflix.
The question for France and all countries is, 'Do you favour foreign Internet operators that do not pay, or do you favour national operators who pay?'
Youku Tudou is a hybrid, like combining Netflix and YouTube. Like Netflix, with Youku, which launched in 2005, we syndicate a library of longform content and create original content. The Tudou model started with user-generated content but is increasingly becoming about partner-generated programming.
YouTube is so quick and so instant, and you make a video, and you can upload it the same day, whereas with a book, you have to go through a lot of time and a lot of people and a lot of processes. So it was weird to sit down and work with other people on projects, because I'm so independent with YouTube.
YouTube was really good for building a kind of core, loyal fanbase. I didn't want to be a YouTube artist as such. I mean, there are people who are able to release albums and live off YouTube, but I felt - and not in an arrogant way - that I could be commercial and credible if I really put my mind to it.
There will be more chances for films to be released through streaming services, such as Netflix.
Suddenly, everyone woke up, and everything was moving online. We've got Netflix making original series, CBS placing their network online, and suddenly, everyone's announcing some kind of digital network for serving their content online.
My children do not know what it's like to flip around channels. They either go to Netflix, Apple TV, or they pull up YouTube, and they can watch their shows.
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