A Quote by Niklas Zennstrom

Talent can pop up anywhere in the world, it's not just one city block. — © Niklas Zennstrom
Talent can pop up anywhere in the world, it's not just one city block.
I grew up in Harlem, a block away from what was then the most crowded block in New York City, according to the 1950 census. Something like ten thousand people lived in one city block.
I grew up a block away from Hell, and my pop-pop was a chef in Hell's Kitchen.
Definitely, study is absolutely necessary in all forms - it's just like any talent that's born within somebody. It's just like a good pair of shoes when you put a shine on it, you know? Like, schooling brings out the polish of any talent. It happens anywhere in the world.
I personally don't like to draw a line between 'K-pop' and pop music, but I do think it is a good time for K-pop artists to be shown to the world, because the world is just ready for it.
The sheer sensory experience of San Francisco is unlike anywhere else. Not just the physical beauty, but the textures, the feel, the wind, the ocean. It's a monumental feeling unrivaled by anywhere else. Its a world class, gorgeous city. And the coffee is great.
Eminem has talent, and his talent is the thing that influences many young people who would have never gone anywhere near rap. White kids in different parts of the world use him as a barometer and the standard to live up to. In some ways, Eminem is an artist who has ushered in a new movement.
I feel like kids that grew up in New York City or in L.A. were exposed to all these subcultures and subgenres, whereas I was only exposed to the poppiest of pop music so I never had this negative connotation towards pop music. That's not South African music having an effect on me, but just how international music was filtered through South Africa affected me. It gave me a not-negative connotation towards pop music growing up.
Rome's just a city like anywhere else. A vastly overrated city, I'd say. It trades on belief just as Stratford trades on Shakespeare.
We grew up with all the Fat Wreck Records and all the Epitaph bands, that era. We mixed it up together. We were never purists of being just pop or just pop-punk. We always wanted to blend everything that we love.
If you go to a big city anywhere in the world and you need a doctor, just ask me. I can tell you who's good and who's bad. I've even considered writing a guidebook.
I think pop music was going through a phase where it was like pop but dance-hall or pop but R&B. But, no, I just want a pop song.
LEGO has essentially taken the concrete block, the building block of the world, and made it into the building block of our imagination.
I don't follow any of what the pop world is doing. Sometimes I feel like that's a weakness, actually, that I'm too in my own bubble. But I'm really just interested in the inner journey. And pop is all about the exterior world, the material.
I certainly was surprised to be named Poet Laureate of this far-out city on the left side of the world, and I gratefully accept, for as I told the Mayor, "How could I refuse?" I'd rather be Poet Laureate of San Francisco than anywhere because this city has always been a poetic center, a frontier for free poetic life, with perhaps more poets and more poetry readers than any city in the world.
There are two kinds of talent, man-made talent and God-given talent. With man-made talent you have to work very hard. With God-given talent, you just touch it up once in a while.
I can't wait 'til the world embraces Chicago - not only for our talent, but just to visit our city and not be so scared to come to it and not be subjected to what people's perception is of it.
This site uses cookies to ensure you get the best experience. More info...
Got it!