A Quote by Nikolai Gogol

There exists a kind of laughter which is worthy to be ranked with the higher lyric emotions and is infinitely different from the twitching of a mean merrymaker. — © Nikolai Gogol
There exists a kind of laughter which is worthy to be ranked with the higher lyric emotions and is infinitely different from the twitching of a mean merrymaker.
One guy might be ranked higher, but it doesn't mean anything. Where these fights go, lots of things can happen.
Can you control your anger, lust, frustrations, and jealousies? Those are the only people worthy of the higher teachings. By worthy, I mean that they are the only ones capable of it.
I need to take fights, and I expect to win all my fights, whether it's higher ranked or lower ranked.
All laughter is a muscular rigidity spasmodically relieved by involuntary twitching.
Women's emotions are still fitted for a kind of society that no longer exists. My deep emotions, my real ones, are to do with my relationship with a man. One man. But I don't live that kind of life, and I know few women who do. So what I feel is irrelevant and silly.
I get a different kind of lyric from someone else that might make me go in a different musical direction.
There is nothing more distressing ... than the hard, scoffing spirit which treats the allegation of dishonesty in a public man as a cause for laughter. Such laughter is worse than the crackling of thorns under a pot, for it denotes not merely the vacant mind, but the heart in which high emotions have been choked before they could grow to fruition.
And ultimately, If you sin against an infinitely holy and eternal God, you are infinitely guilty and worthy of eternal punishment.
I think that the casual reader and the lyric and confession are trickily tied up together. I mean often when I read my students' poems my first impulse is to say, "O, the subject of this pronoun, this 'I,' is whatever kid wrote this poem." The audience for lyric poems is "confessionalized" to some extent. And I think this audience tends to find long narrative poems, for instance, kind of bewildering.
Amid the stillness of the night, in the depths of the ravine, from the direction in which the corpses lay suddenly resounded a kind of inhuman, frightful laughter in which quivered despair, and joy, and cruelty, and suffering, and pain, and sobbing, and derision; the heart-rending and spasmodic laughter of the insane or condemned.
Most of the time, the lyrics are kind of like my secret messages to my friends or my boyfriend or my mom or my dad. I would never tell them that these songs are about them or which specific lyric is about somebody. Often, when I sit down to write a lyric, it is in the heat of the moment, and something has just happened.
Rock and roll doesn't necessarily mean a band. It doesn't mean a singer, and it doesn't mean a lyric, really. It's that question of trying to be immortal.
I'm grateful for laughter of any kind, but it can be off-putting if one person is laughing at a different time or in a different way from the rest of the audience.
To be truthful i am not entirely sure what people mean when they talk of happiness. There are moments of joy and laughter, the comfort of friendship, but enduring happiness? If it exists i have not found it
With teenagers, the emotions are higher and things are more dramatic. That doesn't mean adults don't also act like children in their own way.
What can be considered human emotions? Surely not only lyricism, sadness, tragedy? Doesn't laughter also have a claim to that lofty title? I want to fight for the legitimate right of laughter in "serious" music.
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