A Quote by Nikolai Gogol

The longer and more carefully we look at a funny story, the sadder it becomes. — © Nikolai Gogol
The longer and more carefully we look at a funny story, the sadder it becomes.
If you look at coastlines, if you look at that them from far away, from an airplane, well, you don't see details, you see a certain complication. When you come closer, the complication becomes more local, but again continues. And come closer and closer and closer, the coastline becomes longer and longer and longer because it has more detail entering in.
If you read Exodus 15 carefully, it describes a storm at sea. This is the old Yahwistic source. In the retelling of the story in the later Priestly source, it is more miraculous: The water stands up on either side like a wall. There are walls of water standing up. As you move back in time, oddly enough, the story becomes more historical.
The longer you look at an object, the more abstract it becomes, and, ironically, the more real.
She is sadder and sadder, and for a man there is no balm more soothing than the sadness he has caused a woman.
Is anything sadder than a trainThat leaves when it's supposed to,That has only one voice,Only one route?There's nothing sadder.Except perhaps a cart horse,Shut between two shaftsAnd unable even to look sideways.
You know, I said I have this problem that I need to more carefully read Akron's text because it's too much, too much fantasy, and so I am busy with other stuff - it's funny, it's nice to hear that someone is studying that carefully and now I know a little bit more about that.
Like a morning dream, life becomes more and more bright the longer we live, and the reason of everything appears more clear. What has puzzled us before seems less mysterious, and the crooked paths look straighter as we approach the end.
The trick. . .is to find the balance between the bright colors of humor and the serious issues of identity, self-loathing, and the possibility for intimacy and love when it seems no longer possible or, sadder yet, no longer necessary.
So often with beginning writers, the story that they want to start with is the most important story of their life - my molestation, my this, my horrible drug addiction - they want to tell that most important story, and they don't have the skills to tell it yet, so it ends up becoming a comedy. A powerful story told poorly becomes funny, it just makes people laugh behind their hands.
If you look carefully, almost all Old Money secrets can be traced to a single source: a longer-term outlook.
The longer you hold a dollar, the longer you hold money, the more valuable it becomes over time. So the younger you are, the more ability you have to hold money longer term.
You can't make Christ funny. He's self-aware, he's too flexible within the situation. It's rigidity, it's when the ego takes over and the behavior becomes inappropriate that it becomes funny.
We, in America, love a story - we need a story to get involved in. But then everything becomes more about how the story protects a certain perception as we pick sides.
Applauds of the ignorant majority are worthless; applauds of the wise minority are priceless! Look carefully, who are applauding you? Look carefully, who are blessing you? Mud in the ground or stars in the sky?
I know what I look like. I'm not a babe who's automatically going to be the leading-lady type. I think I would always be cast as the friend. I probably tend to look crap more often than I look good. I like messing around and pulling funny faces and doing funny walks.
I think that one of the ways that Americans will come to want to look at history is by looking at their own families' histories, and how those stories relate to the larger picture of American history. Then it is no longer abstract. Then it becomes a story that really means something to us as individuals.
This site uses cookies to ensure you get the best experience. More info...
Got it!