A Quote by Nikolai Leskov

In our parts such characters sometimes turn up that, however many years ago you met them, you can never recall them without an inner trembling. — © Nikolai Leskov
In our parts such characters sometimes turn up that, however many years ago you met them, you can never recall them without an inner trembling.
In the ordinary jumble of my literary drawer, I sometimes find texts I wrote ten, fifteen, or even more years ago. And many of them seem to me written by a stranger: I simply do not recognize myself in them. There was a person who wrote them, and it was I. I experienced them, but it was in another life, from which I just woke up, as if from someone else's dream.
I first met the brand [Didier Dubot] when I went to an event for them on Top of The Standard. It was about three years ago. It was the first time I heard about them and then that's where I met them.
It's not just the players, it's the culture. Sometimes it's the people around them; the people who are looking after them - the money they're given. Some of the families give up their jobs and live off their sons. That would never have happened 10 years ago.
The nature of acting is that one is many characters and jumps from one skin to another as a way of life. Sometimes it's hard to know exactly what all of your characters think at the same time. Sometimes one of my characters overrules one of my other characters. I'm trying to get them all to harmonize. It's a hell of a job. It's like driving a coach.
I think time is elastic. There are moments in my life that are many, many years ago and yet I can conjure them as though it's a second ago. And there are other things that happened maybe last week that seem like ages ago.
Over the last few years they have done a superb job in their fight against al-Qaida. As you may recall, our embassy in Jedda (in Saudi Arabia) was overrun some four years ago and a number of foreign workers went home because of violence against them.
When I auditioned actors I never make them act. I choose a long symphony, then I tell them to sit down and I play the symphony for them. Then I sit and I look at them. I always pick a piece of music that has up and downs, very dramatic parts, very quiet parts and really sensitive parts so that it can produce different emotions.
There’s something about her—Cassel, I have met many evil men and women in my life. I have made deals with them, drank with them. I have done things that I myself have difficulty reconciling—terrible things. But I have never known anyone like your mother. She is a person without limits—or if she has any, she hasn’t found them yet. She never needs to reconcile anything.
15 or 20 years ago it would not have been possible for me to come out. Back then, people still had such narrow views, but today many of them are more liberal. Being gay is no longer a taboo in many parts of society. That has affected sports, even boxing.
I'm sure there are people who survive tragedy without humor, but I've never met any of them. Nor would I be particularly interested in writing about them if I did meet them.
You know when you throw a party, you think people will show up and no one will like each other. It's like that with music - parts of your musical psyche have never met other parts. You wonder if you should get them together.
Years of imprisoning and beheading writers never succeeded in shutting them out. However, placing them in the heart of a market and rewarding them with a lot of commercial success, has.
The power of mistakes enables us to reframe creative blocks and turn them around...The troublesome parts of our work, the parts that are most baffling and frustrating, are in fact the growing edges. We see these opportunities the instant we drop our preconceptions and our self-importance.
I can read significance into tiny, tiny things. If I'd met someone 10 years ago and not seen them again, and then I suddenly bumped into them, I'd feel that that was 'meant,' or there's a fate, you know?
No I.D. is actually married to my cousin, and my cousin is my manager. So I met him when she met him many years ago. I was in the studio and he hooked me up with a bunch of producers that he knew.
Make no mistake: Satan’s specialty is psychological warfare. If he can turn us on God (“It’s not fair!”), or turn us on others (“It’s their fault!”), or turn us on ourselves (“I’m so stupid!”), we won’t turn on him. If we keep fighting within ourselves and losing our own inner battles, we’ll never have the strength to stand up and fight our true enemy.
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