A Quote by Nikolai Rimsky-Korsakov
What terrible harm Wagner did by interspersing his pages of genius with harmonic and modulatory outrages to which both young and old are gradually becoming accustomed and which have procreated d'Indy and Richard Strauss.
Related Quotes
I believe that the harm which Mill has done to the world by the passage in his book on Political Economy in which he favours the principle of Protection in young communities, has outweighed all the good which may have been caused by his other writings.
There is no book which tells of a more infamous monster than the Old Testament, with its Jehovah of murder and cruelty and revenge, unless it be the New Testament, which arms its God with hell, and extends his outrages throughout all eternity!
Richard Wagner, a musician who wrote music which is better than it sounds.
Richard Strauss--Old Home Week in Gomorrah
In the morning, Capra would arrive with twenty-or-so pages in which he'd written down all of his ideas. Most were terrible, then all of a sudden there would be one which was astounding.
I think there is no work of art which represents the spirit of a nation more surely than "Die Meister Singer" of Richard Wagner. Here is no plaything with local colour, but the raising to its highest power all that is best in the national consciousness of his country.
We must wish either for that which actually exists or for that which cannot in any way exist or, still better, for both. That which is and that which cannot be are both outside the realm of becoming.
The 'old' Internet is shrinking and being replaced by walled gardens over which Google's crawlers can't climb. Sure, Google can crawl Facebook's 'public pages,' but those represent a tiny fraction of the 'pages' on Faceboo, and are not informed by the crucial signals of identity and relationship which give those pages meaning.
Richard Curtis, the writer and director of Love Actually, is brilliant at many things, but his genius, I submit, is for thrusting characters into situations in which they feel driven to humiliate themselves. Which is why we love them, especially when it's all in the name of love. He is the Bard of Embarrassment.
I love Tom [Waits] for the same reason I love Leonard Cohen, which is that they are both one-offs, templates; they both seemed old, or at least dressed old when they were young; both kind of lived their careers backwards.
My greatest experiences in the theatre and the most religious experiences in my life - of which going to the opera is one for me - have been with the Romantic composers' repertoire: it's Wagner, it's Strauss, Verdi, Puccini. That era gets me every time.
The history of harmony is the history of the development of the human ear, which has gradually assimilated, in their natural order, the successive intervals of the harmonic series.
We deplore the outrages which accompany revolutions. But the more violent the outrages, the more assured we feel that a revolution was necessary.
Becoming Richard Pryor is a compulsively readable book that sets a new gold standard for American biography. Scott Scaul's research is extraordinary; his writing is taut, elegant, and insightful; and he captures both the hilarity and pain that made Richard Pryor such a towering figure.
The Truth about Leo Strauss is the most balanced and insightful book yet written about Strauss's thought, students, and political influence. It dispels myths promulgated by both friends and foes and persuasively traces the conflicting paths that American thinkers indebted to Strauss have taken.
I dig Strauss and Wagner, those cats are good...
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