A Quote by Nikolaj Coster-Waldau

Once you put a mask on, if you allow it to, it can really transform you, and that's what a costume does. — © Nikolaj Coster-Waldau
Once you put a mask on, if you allow it to, it can really transform you, and that's what a costume does.
I don't like looking like a crazy person in my seat with a mask on, so I go into the airplane bathroom, put it on for a minute, and then I'll wash it off. Once I'm out of the bathroom, nobody even knows I did the mask, but my skin does!
Then, finally, the third year, begging the parents, I got the Superman Halloween costume. Cardboard box, self-made top, mask included. Remember the rubber band on the back of that mask? That was a quality item there, wasn't it? That was good for about 10 seconds before it snapped out of that cheap little staple they put it in there with.
Once you embody the language, the character comes really naturally, especially when you put the costume on.
Costume is always an asset. Normal costume you have a lot to say about - if you're wearing suits or ties, and what color you want, and how it's going to be cut, and stuff like that, and whether or not you're going to wear a hat, and blah, blah, blah. But, when you're wearing a special costume, and of course, costume is probably the second ingredient in character, script being first, I always find that the costume does a lot to cement your character, to put it firmly in mind.
We all have a social mask, right? We put it on, we go out, put our best foot forward, our best image. But behind that social mask is a personal truth, what we really, really believe about who we are and what we're capable of.
I wouldn't say one is easier or more difficult, but when you're inside a costume and a mask, you have to endure heat - and, often, difficulty seeing. The vision is not very good in a mask. And you have to cope with that, as well as trying to think about this character.
It's probably a lot cooler than wearing jeans and a T-shirt. Once I put on the mask, I don't even realize that it's there. They're molded off of our faces, so they fit really well.
I had a Spider-man costume when I was about three, and I lost the mask. So I went to the underwear drawer and put a pair of red pants on my head. My dad came home and just laughed, and I ran into my room and burst into tears.
If I got a superpower I wouldn't say, oh, I got to get a costume and put on a mask. I would say hey, I can do something better than other people. How can I turn it into a buck?
I'm happy that now we reveal something about the true Israel, because, you know, now it's Purim, when all the Jews putting mask. And once, we used to have a liberal mask. The most famous mask now in Israel is the mask of a soldier who murdered in cold blood a wounded prisoner of war. Those are the mask that most of the Israeli kids now are using. So, now, when the mask and the true is the same, maybe it's time for Democrats here to stop supporting Israel, if they care about Jews.
I wanted to create a believable feeling for 18th Century reality in the Perfume: The Story Of A Murderer. I didn't want this typical film feel of strange people in strange costumes, not really knowing what to do or how to move. If you put an 18th Century costume on Alan Rickman, it looks like he's been wearing it forever because he inhabits the stuff. He is a character that can really travel in time as an actor and transform into this 18th Century person with seemingly no effort.
I design for the movie and the character as well as the person wearing the costume. I show the ideas to the actor, then do fittings for shape and technical things such as movement in the costume. Once the costume in this form is on the actor, you have a sense of their connection with it. I then take it to the next level with the final fit.
We have a costume closet at home. My family will put on a costume for any excuse.
Once you put in backdoors, once you allow a government to intercept anything they want, you have to give it to other governments around the world. Once you do that, there is no privacy; there is no security. There is no protection for democracy.
A rogue does not laugh in the same way that an honest man does; a hypocrite does not shed the tears of a man of good faith. All falsehood is a mask; and however well made the mask may be, with a little attention we may always succeed in distinguishing it from the true face.
The skeptics said you can't put on a costume in the middle of New York - which isn't true, because everyone's in a costume here.
This site uses cookies to ensure you get the best experience. More info...
Got it!