A Quote by Nikolaj Coster-Waldau

Some of the stuff in Season 3 on 'Game of Thrones' - the amount of mud I had to eat, not intentionally but by accident - was pretty tough. — © Nikolaj Coster-Waldau
Some of the stuff in Season 3 on 'Game of Thrones' - the amount of mud I had to eat, not intentionally but by accident - was pretty tough.
There's a lot of 'Game of Thrones' stuff used in a lot of pastiches. I don't know if I've seen a Lego 'Game of Thrones' yet, but there must be one. And there's an animated thing that's been going on for quite some time, and Littlefinger is a newsreader in it, and it's great.
I had worked in TV prior to working on 'Game of Thrones' - 'Game of Thrones' is far more cinematic than any other television show that I had done before, and so I feel that the worlds of TV and film are most definitely merging as one.
I've had a pretty crazy life. It's colorful ... reliving some of those closets that I had shut, locked and thrown away the key intentionally because it was painful to revisit a lot of those places - especially the loss of my buddy Robbie Tooley, the divorce of my parents, some of the things I went through as a kid, a lot of that stuff was locked up for a reason - it was painful. But at the same time, there was some therapy in revisiting some of those spots.
If, like me, you've never watched 'Game of Thrones', the podcast 'Binge Mode: 'Game of Thrones'' ought to be unlistenable. It isn't, thanks to the energy of the two expert presenters Mallory Rubin and Jason Concepcion, who have the wit to laugh at their own deep-dive devotion and are helped out by some smart editing.
We had already beaten them 4-0 and 7-0 earlier this season, so we knew we were in for a really tough game today.
Tobey Maguire and I had a tough relationship - it was a tough working relationship. We butted heads, and ultimately, I lost the Los Angeles game because of differences with him. But then I moved to New York and built a bigger game, five times bigger, making more money, and that was pretty exciting.
I had one lesson with Devil's Horsemen, who do a lot of the horse-riding stuff for films. They train actors to look reasonable on horses. They do 'Game of Thrones', everything.
The biggest challenge directing the final season of 'Game of Thrones' is just the importance of getting it right.
What I love with 'Game of Thrones' is, every season, I get to continue to develop the existing themes; every season, I also get to write new themes.
I've had fans do some pretty awesome things... I once had a fan do a mock proposal for me in Mumbai, inside a McDonalds... and I've had fans give me some precious things. I had one fan give me her mother's ring; I've gotten some pretty intense stuff. And I always get drawings and scrapbooks from fans, which is also pretty cool.
The guys on 'Game of Thrones' trust me implicitly to take care of the action stuff. I don't mess with their drama, but they allow me to come up with ideas like 'Hey, what if the giant had a bow? And what if he shot some guy off the wall?' With 'Constantine,' too, they really trust me to scare the audience.
I shot all my stuff on 'Arrested Development' in one day, and was brought into a really well-oiled machine. 'Cause it was the last season, and they were wrapping up a lot of stuff because they knew at that point that they weren't coming back. There seemed to be kind of a freedom, and certainly the cast had a great amount of camaraderie.
It's not like I love dragons! Only on 'Game of Thrones!' Our dragons are amazing, and they look really real. But I think after 'Game of Thrones,' I won't be a fantasy fan.
There's no way the writing staff of 'Game of Thrones' haven't read 'The Art of War.' There's definitely an influence on 'Game of Thrones' from this book in both a general way and on the character of Lord Baelish and his strategies.
My old man, he's done it very differently from me. He had years of honing his craft and years of doing all that stuff before he even had to worry about 'Game of Thrones.' So he's absolutely established himself as an actor without the fear of having to have a personality as well.
When I'm filming, survival requires movement. You need your energy, and you've got to eat the bad stuff, and survival food is rarely pretty, but you kind of do it. I get in that zone, and I eat the nasty stuff, but I'm not like that when I'm back home.
This site uses cookies to ensure you get the best experience. More info...
Got it!