A Quote by Nile Rodgers

I've never cancelled any public appearance, simply because that's what my life is; it's doing my work, and I never want to stop doing my work unless it becomes impossible for me to do it.
I started doing 'figures', then, one day, all of a sudden, I started doing abstraction. And then I started doing both. But it was never really a conscious decision. It was simply a question of desire. In fact, I really prefer making figurative work, but the figure is difficult. So to work around the difficulty I take a break and paint abstractly. Which I really like, by the way, because it allows me to make beautiful paintings.
I never consciously do any work directly influenced from any movie, unless I'm doing a parody.
Joy of life... depends upon a certain spontaneity in regard to sex. Where sex is repressed, only work remains, and a gospel of work for work's sake never produced any work worth doing.
To me, I will be a stronger person if I'm moving forward, doing the work I want, and continue to drive: force the purpose that I want to create versus doing what other people think I should be doing, which is never a way to live.
The work I'm doing today gets me one step closer to the work I should be doing tomorrow. And that the way I learn this is by trying, failing, networking and experimenting. I'll stop doing that when I'm dead.
I'm not doing my philanthropic work, out of any kind of guilt, or any need to create good public relations. I'm doing it because I can afford to do it, and I believe in it.
I'm not doing my philanthropic work out of any kind of guilt, or any need to create good public relations. I'm doing it because I can afford to do it, and I believe in it.
In manufacturing, too much work is beyond repetitive - it is inhumane. The people doing this work aren't doing it because they want to - they are doing it because they have families to feed and clothe.
I really enjoy doing stunts, especially. I had never done any stunt work, ever, in my life before, and in our first episode of 'Legacies,' I was doing a bunch.
It makes me so angry when people say, "We never hear from people who are happy doing sex work." Well, that's because they're working. The activism privileges people who hated doing sex work, are no longer doing it, and have a job at a social service organization, for example, that trains them on how to speak to the media. We are hearing from those people quite a bit.
Work and play can be the same. When you are following your energy and doing what you want to do all the time, the distinction between work and play dissolves. Work is no longer what you have to do, and play what you want to do. When you are doing what you love, you may work harder and produce more than ever before, because you are having fun.
You know when I think about what I'm doing - what I'm doing and the way I'm doing it is more important to me than any amount of money or anything like that because it's my artistic work.
I need to feel like the work I'm doing is not necessarily important, but meaningful, at least to me, because otherwise it just becomes a day job. It just becomes factory work and I get really frustrated.
I think one thing my mother always instilled in me was a sense of individuality. Being an only child, I never thought I had to rely on anyone. I was never afraid to be alone and I was never afraid to be my own person. So when all my friends were like, "Let's smoke weed," I was like, "I'm not doing it." It wasn't because I was trying to be a rebel or because I didn't like it or I was anti-drugs. I just didn't do it because I didn't want to do it, and if I didn't want to do it, I wasn't doing it. That was it.
I've discovered that the standard all-American dream of fame and fortune is not success for me. Success for me is simply the joy of working - doing good work - and then bringing that joy home to my family. But if what I do in my work doesn't enrich my life with my family, I'm doing the wrong thing.
It's a question of dropping the armor and getting up and doing the work you want to do. And film at first is frightening because you are like, 'What's that camera doing?' But then it becomes family and therefore a really wonderful experience.
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