A Quote by Nile Rodgers

Every record I have done was because I was a person's friend. The only time we did not continue to be friends was if the record did not become a hit. If it did, we became great friends.
Bobby is really the one who did all the editing on that stuff. And he did all the mixing. I particularly like the record we did with Logic because Scott Harding did a great job mixing it. He's really a killing engineer.
I wasted my substance, I know I did, on riotous living, so I did, but there's nothing on record to show I did more than my betters have done.
I knew about AIDS. My friends were dying right, left, and center. I did a record with Dionne Warwick, Stevie Wonder, and Gladys Knight. I did a couple of benefits.
I never wanted to be a wild kid. I respected my parents and I had great friends. I was lucky. We did a lot of church activities. There were the bad kids in school who partied all the time, but none of my close friends did.
In 1980, I moved to Chicago, and I recorded demo tapes for my friends' bands, and in 1981, the first Big Black record - the first thing I did that was an actual record.
You only get so much time to do something that you enjoy or love to do. If you can continue doing it, you might as well, because I don't want to live in regret. I don't want to be the person sitting behind a desk, wondering, 'Did I do it right, did I finish it off, did I really give it my all?'
Everything we did, we did live - and then Bobby took it home and chopped it up and edited it. Which is pretty much what they did with every jazz record you've ever heard.
I never thought of breaking a record. The only ambition I had was to become the fastest century maker for India, which I did when I broke Azharuddin's record.
My favorite record shop was called Recommended Records, in South London near where I lived - they did all the original Faust reissues that came out in 1979, and they also did a lot of Sun Ra stuff. They were a great record shop.
Every time I hit it with Big Boi, we always have good love. I was a huge fan of the 'Shutterbugg' record he did.
Red House Painters were doing cover songs before our first record deal. I remember live shows where we did an AC/DC song; I think we did 'Send In The Clowns' by Judy Collins. We did 'The Star Spangled Banner,' which came out on our third record.
When I work, my first relationship with people is professional. There are people who want to be your friend right away. I say, "We're not gonna be friends until we get this done. If we don't get this done, we're never going to be friends, because if we don't get the job done, then the one thing we did together that we had to do together we failed."
I am a champion. My mom made sure that I did yoga every day. She dragged me because that was something she was doing for herself. She would have a great time with her friends. All the mothers would sit together and the kids all did yoga.
I gave away 'Life in Hell' when it was a little 'zine, and sold it at record stores for $1, and I knew from the time that I first did it that I would continue to do it, because it was fun.
I met Woz when I was 13, at a friend's garage. He was about 18. He was, like, the first person I met who knew more electronics than I did at that point. We became good friends, because we shared an interest in computer and we had a sense of humor. We pulled all kinds of pranks together.
I met Woz when I was 13, at a friend's garage. He was about 18. He was, like, the first person I met who knew more electronics than I did at that point. We became good friends, because we shared an interest in computers and we had a sense of humor. We pulled all kinds of pranks together.
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