A Quote by Nils Frahm
The music I do in live performances is made for a specific situation. I know that people are sitting down and shutting up and they're with me for 90 minutes. They're totally with me. Whatever I do, I know they have my attention and they follow my pace.
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The biggest compliments I've gotten have been from people who've seen the film Compliance at festivals and have said, "You know, I fully connected with these people. The movie made me very uncomfortable because I totally can see how this or that situation happened." They're, for lack of a better term, picking up what I was putting down. For me, it's very empowering to feel like we made something interesting.
The worst job I ever had was as a telemarketer for, oh, I don't know, I think I made it about 90 minutes. I quit before lunch. I went in around 10:30 or 11 and said, 'I can't do this.' It was horrific. I had too many people yell at me within that 90 minutes to be able to continue.
Being a winger or a wide mid, I have to run continuously for 90 minutes, which not only takes endurance but also strength in my legs to be able to be explosive for 90 minutes. I think weight training has really allowed me to sustain for those 90 minutes.
I think music for me, it's part of my life. I like music. I think I'm very emotional, so, you know, I just try to take all the emotion, you know, that music bring it to me, you know, some make - I mean, help me to calm down some, for sure motivate me more. You know, there's always music. I think just make me smooth before the match, you know.
The point of my music? The point I just want to get across is I'm me and I exist. Just letting people know who I am. Ever since I was young, I was the little attention grabber; I always loved attention. I want to grab people's attention. I want them listen to me and know that this is really good music. Whether they like it or not, they're gonna listen.
I didn't really want to be an actor when I was growing up - I wanted to be whatever I was reading about or seeing at the time. When I read The Firm I wanted to be a lawyer; when I saw Top Gun, I wanted to be a fighter pilot. So that's why acting probably turned out to be a good thing for me because I get to be people for five minutes or 90 minutes. I'd be curious to see if I had the attention span to be like those guys on 30 Rock and play the same character season after season.
To me, when one is writing sometimes about a very specific subject with very specific people, I feel like if that story doesn't cross over, it's not working. That's very beautiful to me, to be sitting in Berlin and there's an actor reading my book in German. I don't even know what's going on, except I know to feel my own rhythms in another language and say, "If this is going well, I think everyone should laugh around now." Then maybe there's laughter, and for me, it reminds me of how story can move around the world.
People look up to me, like my music, and even follow me on Instagram because they know I'm keeping it real with them.
My first match was against Sputnik Monroe at the Amarillo Sports Arena. It was scheduled for only ten minutes. Sputnik got me down and was on top of me for the first eight minutes. My father came running down to the ring and yelled for me to get up. I don't know how I got up but I did. I was a lot more scared of my father than I was Sputnik.
I'm onstage for an hour.I do an hour of stand-up. Actually, I do 10 minutes standing up and 50 minutes sitting in a chair. Oh, occasionally, I stand up again to do a dance or put over a song. But mostly I sit down. A great invention, sitting down.
Jail just made me wiser. It made me smarter. It made me wake up to a lot of stuff. And also it made me a better businessman. I had to learn the music business. It just made me a better person as far as the way I live.
I think whatever you believe in affects whatever you express, whatever you create. It shapes your morality in some way. But I don't think that's something that you have to shove down people's throats. I'd rather keep it in the background, and I'd rather people came to the music in an unprejudiced way. I'm glad, in a sense, that most people don't know about me, what I do, much. I'd rather they hear the music, and then say, "I wonder what kind of person created this."
I think that just sitting down and having casual conversation is the hardest stuff to do. But the extremes? I know what it feels like to come racing around the corner at 90 miles an hour, sliding the car sideways. I know what gear I'm hitting it in when I'm coming around the corner and where I need to downshift. So to me, that's the fun stuff.
The star thing I can live with. The music I can't live without. And that's how it lays out for me, you know. I got as big an ego and enjoy the attention.
But the star thing I can live with. The music I can't live without. And that's how it lays out for me, you know. I got as big an ego and enjoy the attention.
The advantage doesn't come because you can run more than someone over 90 minutes. The advantage comes when, in the tenth minute, I'm sprinting back and making another guy chase me. By the end of the game, that guy's worn down, but I can still keep going at the same pace.
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