A Quote by Nimrat Kaur

Nothing in my background has anything to do with films. In that sense, I am a complete outsider. — © Nimrat Kaur
Nothing in my background has anything to do with films. In that sense, I am a complete outsider.
I wanted to make films since I was young. My background had nothing to do with anything creative, so it seemed an impossible task.
I know where I am headed and how will I evolve. There's nothing stopping you. I don't have a family background on films, and I will need to work for it.
I have been around for 33 years and I don't have a filmy background. I don't know if I am an insider or an outsider but I have never felt any discrimination.
When I am in Egypt, I am along for the ride - I am a privileged outsider, but an outsider nonetheless.
I speak of a clinical depression that is the background of your entire life, a background of anguish and anxiety, a sense that nothing goes well, that pleasure is unavailable and all your strategies collapse.
Mr. Trump would need someone to help govern in Washington, D.C. When a complete outsider is picked to lead the ticket, it makes sense to have someone with government experience on it.
In so many roles I've played the outsider. As an outsider, you have more energy to succeed simply because you are an outsider. There are scripts floating around but they're not coming my way and I think that I am getting a little bit too old to play Napoleon. But if I was ever offered the role I would grab it.
I am grateful for what I am and have. My thanksgiving is perpetual. It is surprising how contented one can be with nothing definite - only a sense of existence. Well, anything for variety.
I feel like I am the outsider on the inside, if that makes sense. But I have coped with it.
Art flourishes where there is a sense of adventure, a sense of nothing having been done before, of complete freedom to experiment.
I've always been an outsider. I am an outsider in Garbage. I'm the odd one out by default.
In Europe, I am an outsider. I don't really understand anything that I am seeing. I can be welcomed into people's homes, I can be met with suspicion, I can be taken somewhere else altogether. There is always wonderment there for me, even if the person I am photographing may not see it or be aware of it.
One of the things that Ang brings to all of his projects is his deep sense of being a double exile, an outsider's outsider.
Anything is possible. My background is a bad background, but a lot of people said I couldn't do it. You can do anything if you put your mind to it.
It's against type in the sense of my background, but it's with type in the sense that I am a loner who's new to this business and sceptical about a lot of it.
I am what I was before joining films. Nothing has changed, and I hope nothing will ever change. I'll always remain the way I am.
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