A Quote by Nimrat Kaur
Films are a whole new world that I'm excited to explore. But being on stage is very close to my heart; it has given me a sense of belonging. I will always try to find a way to balance both.
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Being abandoned by my mother gives me a sense of insecurity that I will never recover from. I have to try and recreate that balance by trying to create a sense of self-worth. And yes, being on stage is a part of that.
Two eyes are given for a reason. One eye to always look at the opportunity. The second eye to always keep looking at the challenges. Because if you don't balance both, it's very easy to get carried away one way or the other. And it's when you balance the two that you find the most sustainable model.
When I go on vacation, I take very few clothes and a whole lot of books. It's the most soothing thing in the world. Reading 'Moby-Dick' is like being in a time machine. I almost feel as excited as the first time I read it and I always find something new.
The camera is, in a sense, both a way to get close, and to break free. It is a testimony to independence as well as a new way to relate to the world
I've always wanted to be a communicator of ideas through music. Today, I wanna be the most effective musical communicator of social change I could be, so I try to find different ways to do it and I'm always challenging myself to find new things, learn new instruments. But I always try to find in my heart, what it is I really want to say with words.
Tamils all over the world have a sense of belonging to the world itself, but our ancient roots come from India. I would like to explore India. I will keep coming back. This is the closest I can get to home.
An 'Islamic economy' or 'Islamic finance' doesn't mean anything to me. But I do think that in the multi-polar world, it is time to find new partners, to find a new balance in the economic order. And this could help you to find an alternative way forward.
I always prided myself on being apart from the ruling class. I think it's always important, not just in Washington but in life, to be able to able to balance your sense of belonging with what it's like to be someone who doesn't belong.
You have to find ways to find that center, to find that balance, to find sanity, because again, we are getting bigger, and people look at us that way. We have to find that new balance.
One of the biggest struggles that I've faced and overcome is finding a balance between emotion and facilitating it through logical means. One of the biggest challenges I have is finding that balance. This emotional mess that I am and this logical side of me, I try to find the medium that will balance me out. I think that's my big mission statement in life: to find that balance. It's a negative-positive and how that relates.
I love the stage and try to balance it out with movies. If you take the stage away from me, then nothing will be left in my life.
Eros is very close to death. And both things, in a way, balance each other.
I feel like when we talk about post-apocalyptic themes that's what we're really talking about. We're always returning to this sense of being alone in a strange new place where all is bleak and all is lost. And it is this sense of isolation that permeates the whole album. I wanted to go into the balance between fear and transcendence.
The best way to deal in a transparent world is just be transparent. Let your life be authentic and let people look in. Because if they want to find out, they're gonna find out. And so to me it's given me a greater sense of accountability as a CEO. It's given me a greater opportunity to lead.
I was a kid, and I was very excited to experience this whole new world. And everything was fun, everything from, oh, wow, we get bananas - I'd only seen them in picture books, you know - to, like, the diversity of the neighborhood and to explore Judaism for the first time. It was really hushed in the Soviet Union.
When I'm writing, I try to have the mask of my character on as I'm walking through the world. When I'm not at my desk, the rest of the time, I try to stay in that character and see the world the way that character would It's almost like method acting in a way — keeping the character close the way the actor keeps a script close and always tries to be in character.
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